19/10/2017 – Dr Fright’s Halloween Nights

Walking into the marquees that hold Dr Fright’s Halloween Nights, the atmosphere was upbeat and lighthearted: the best nu metal and industrial tracks blare and disco lights and fog add a little atmosphere to the main tent, all while a creepy roaming character stalked everything, almost calculating who his next victim will be.

Our first attraction of the night is Dead Inside, a zombie themed haunts that takes scenes from a well known TV show that everyone should recognise as you go through. The safety briefing was done in character (albeit a bit too quietly – please turn the volume up!) and we were on our way through hanging sheets, past buildings, down dark corridors, and a strobe corridor that really feels like you’re being attacked! The actors really knew how to work their scene as each scare was perfectly timed (and managed to make me jump a few times!), and there were points where it was impossible to tell the difference between props and actors.

After being surprised by how good Dead Inside was, we decided to move onto Killer Clowns in a Supermarket as I wasn’t really buying into the concept to begin with: this changed as we joined the queue, as it was clearly meant to be a mixture of comedy and horror which was clear from the soundtrack playing in the queue. The horror/comedy blend continued as we found out that it was a bloody game of Supermarket Sweep where we had to escape from the killer clowns hidden within an actual shop, and it was an actual shop: we explored the food and clothing aisles, butchers counter, and even the staff area and bin section outside the shop as well! The choice of music mixed with the commentary from the clown now in control of the shop mixed together with the deranged clowns dotted about that leapt out from all over the place to scare you to create this bizarre juxtaposing atmosphere that shouldn’t have worked but really did – imagine the scene in Shaun of the Dead where the characters are battering zombies whilst Queen’s Don’t Stop Me Now is playing, and you’ve pretty much got the vibe of the attraction in a nutshell. This is honestly the strongest clown themed haunt I’ve done to date.

Having been incredibly impressed by the previous two haunts, we moved onto the two that I was really looking toward: Hollywood Horror 2 and The Grindhouse Presents: Redneck Wedding.

Hollywood Horror 2 is an incredible homage to the original slasher movies from the 80s and 90s: with b-movie level designs that are impressive even though they’re a bit rough around the edges, walking through each set started to feel like we were jumping from one movie set to another! The scares were very reliant on guests being impressed by the set/movie they had just entered, but that really added to the slasher vibe that’s perfectly portrayed throughout. As someone who grew up on the tail end of the slasher heyday, I really enjoyed how each of my favourite franchises had their homage done to it – very jumpy, but a great laugh.

 

Our final haunt, of course, was The Grindhouse Presents: Redneck Wedding. Themed around a redneck wedding, I instantly knew I had to do this one last. Like Killer Clowns in a Supermarket, The Grindhouse Presents: Redneck Wedding was a very tongue in cheek mix of comedy and horror with most of the characters being guests at a wedding, just more bloodied and with the odd psychopath here and there that really knows how to terrify you! The really peculiar thing about this haunt is that most of it is held in a large open space which means you get to see other groups quite a lot as you’re going through – usually this would be a bugbear, but as the entire attraction was a redneck disco, it made sense to see loads of people. The attraction is actually a lot longer than you expect to, as there are plenty of scenes that are completely cut off from the main “dancefloor” scene. The bit that really solidifies this as my favourite haunt at Dr Frights is when we entered the chainsaw pit: Come On Eileen had dropped into the “come one, Eileen tu lu, ri, ay” bit just as two psychos armed with huge wrenches and chainsaws came out from hiding behind two bales of hay, and it felt like we were about to have somesort of showdown. I can see this haunt being a bit like marmite as it’s clear from previous experiences that people either would or wouldn’t get the comedy aspect of it, but the Dr Frights team really encapsulate that blend which really works every time they implement it.

 

Across all the haunts, they feel rough around the edges and a bit b movie-ish, which isn’t a bad thing: it really works well for Dr Frights, and I can’t really put my finger quite on why it’s ok – maybe it’s the fact that it’s all held in a marquee, who knows? I just really enjoy that”roughness”. The lighting and use of misdirection in order to get scares is very clever and effective, and even though I knew when and where to expect jumps to come, the scare was still effective and I ended up jumping and yelling a few times in each of the attractions. Adding to this, the actors ability to not only know their scene well, but also encapsulate the character they’re portraying and improvising lines really makes each of these attractions impressive and creepy! It’s really clear that everyone at Dr Frights enjoys and loves what they’re doing, which was really solidified when watching the clown on the hidden camera secretly located in Killer Clowns in a Supermarket who kept acting even though nobody was in the room with him. Absolutely brilliant night!

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19/10/2017 – Dr Fright’s Halloween Nights

04/10/2017 – Scaresville at Kentwell Hall

After my first visit to Scaresville roughly this time last year and really enjoying myself (despite a few small critiques), I knew I had to return this year – and was I glad I did!

Scaresville, for those that aren’t in the know, is dubbed a “haunted village” and quite rightly – when you visit most scare attractions, there are multiple individual haunts that last 10-20 minutes which can be done in any order; Scaresville is a ~90 minute walk around a small section of Kentwell Hall that has a number of different scenes that last from 30 seconds through to 15 minutes, and you see and experience everything!

As I stated in last years review (and I’ll no doubt mention it again next year), I’d usually review each of the haunts one by one, but as you go through so many little scenes during your visit, it’s impossible to remember every little thing you experience, so I’m going to review the whole attraction as one supersize haunt.

First off, The Unfairground made a return: it was almost the same as last year, though the magician had been traded out by some areal acrobats that performed once in a while which was impressive (despite the sound issues) – definitely worth a watch if they’re performing when you’re there. It would have been nice if there was some sort of schedule at the entrance of the big top (if it is there, ignore this). I really enjoyed The Unfairground this year, despite the fact there’s still a lack of things to do and see – a pumpkin shy or apple bobbing thing wouldn’t go amiss! Nonetheless, the atmosphere in this area was truly electric, and as the lights hanging from the browning trees swayed with the breeze and with the announcer calling out group numbers, it really and truly felt like a Halloween festival – the local airborne wildlife definitely added to this feeling!

After grabbing a hot drink and watching the acrobatics, it was our turn to queue up and watch the safety announcements where we’re told the rules and such, and there were two rules I really did like: you must change positions, and if you catch up with a group you must wait. This is the only place I’ve ever heard these rules though the first you kind of have to do as keeping in the same order for 90 minutes sucks, but it’s rare for haunts to actually encourage you to slow down, and it’d honestly be rude to not slow down and ensure your group is all together as some of the scares used are much, much more intense when everyone sees it the first time!

What is a really nice touch is that the owner of the event sits just before you start your tour of the haunted village – it’s clear that he’s there as an equal to greet his guests and welcome them to his creation and he does with great gusto and pride – and he really should be proud of what he has created.

The scenes themselves this year were as brilliant as they were last year – there were some I recognised from last year, some that had been used in years before, and some that were brand new, so even though there were scares where you knew what to expect, enough has changed for you to be kept on edge – especially in the forest.

Usually if there’s sound bleed between haunts I’d be the first to jump on it and critique it; however, as all the scenes in Scaresville are small the constant screams coming from the distance really adds to the atmosphere that settles over Scaresville like a thick fog as you’re never sure if they’re coming from scenes in front of you or behind you.

The scares themselves are extremely clever, often using misdirection and the cover of darkness in order to illicit a scream from you, though that’s not always the case – some scares are in plain sight and it’s not until the scare has happened that you realise how obvious it was! I was also seriously impressed with the angles the scares came from – one actor hanging about in the forest especially got me after I walked into his limb by accident!

I could honestly go on and on about how great Scaresville is, and it really is incredible. The only improvements I’d make is to add a little more scenery/games to The Unfairground, and whilst it’s probably not completely curable just look out for the batching as you get a little bottlenecked a few times (though it really wasn’t a big issue at all). Overall a very tense, atmospheric, scary, and fun attraction that I will be returning to again in the future.

 

PS: bring wellies and wrap up warm!

 

 

04/10/2017 – Scaresville at Kentwell Hall

23/09/2017 – Hide & Shriek: Dead Centre

Roughly this time a year and a half ago, I found myself on the way to Southend Victoria to scope out this brand new attraction called Dead Centre run by Hide & Shriek, a relatively new company in the scare industry at the time. Soon enough, they’ve become a company I regularly return to not only because they’re on my doorstep and run year round, but also because I thoroughly enjoy what they do and I know that critiques will be taken on board and rectified for following shows, which is something that I thoroughly appreciate as a reviewer as while I do this for fun and for you readers’ entertainment, I also do it to help the industry improve somewhat.

 

Having said that, this might actually be my hardest review of one of their shows to date as I was both an actor and a participant, and knew a good handful of the actors within the attraction too but don’t worry, I’m not letting these bonds get in the way of my review – I’m still gunna be as harsh as ever!

 

On arrival at Dead Centre, our tickets were scanned and we took our seats on a bench in a semi-protected safe area whilst we waited for our turn: a two tier pyramid of barrels stood on one side of the shopping centre corridor and a wall with a screen built in displayed the title of the experience on the other, whilst eerie atmospheric music played on a loop that echoed throughout our little area, which emphasised the fact that we were completely alone in the shopping centre… or were we?

Soon enough, it was our time to enter the experience: we’re given the generic haunt brief (you are expected to run, no zombies will chase you on the stairs, etc) and we were sent down a service corridor. As we reached the end of this corridor, two shopping centre security guards, an Australian called Jake (though he insisted on being called Maverick and I am so down for that) and another whose name I forgot so I’m gunna call him Dan, welcomed and ushered us closer. He explained that the safe haven we were in has never come under attack thanks to the stringent security checks we have to go through – our first was to prove that we hadn’t been bitten and, rather typically, my small group of friends ended up having to do blood tests to prove we were safe – as it turns out, one of us was The Chosen One, someone whose blood cannot be infected by the zombies! Just as he had explained this, a loud bang as something hit the wall next to us got us moving into the next area.

 

We ran down another service corridor, chaperoned by the two guards that seemed to be a bit uneasy but continued to ensure us that we were safe and it was just probably another guard playing a prank. We soon stopped as we hit a set of doors whilst the service corridor continued off to the right, and Maverick gave us a quick demonstration on how to check for zombies by knocking and asking “are there any zombies?”, pausing, then saying “no” before moving onto the next – this is when I began giggling. He came back and confirmed that it was all safe with this dumb grin on his face whilst Dan just looked at him in disdain. We were then taken through the doors, across the floor of the shopping centre, and into another service corridor where we were told we’d have to go through the Loading Bay in order to reach The Reverend, who’ll know what to do with the blood.

 

On the way down to the Loading Bay we learned a little bit more about The Reverend, and both Dan and Maverick – both of whom were very new to this role, and by this point completely clueless as to what to do, though that didn’t stop them from trying to ease our fears (though I’m still giggling at this point). Maverick did his thing and checked for zombies before running back yelling “gogogogogogogogogogo” as quickly as he can: we’re led through another set of doors and Dan slams them closed behind us once everyone was in, then Maverick explained that he saw a mouse – his worse fear! The laughter continues.

 

We reach the loading bay and just as we pass a van, the alarm goes off and a small horde of zombies chase us through the loading bay and up a ramp and into another maze of service corridors and stairwells. Soon enough, we’re in a slightly more open service corridor where a cart full of water is sat, so we all take a bottle. Just as that happens, one of the service lift doors slams open and a disgruntled shopkeeper comes out and accuses us of stealing his water. The two guards start to fight him and the shopkeeper is left tied to a pillar, just as another small horde of zombies chases us down yet another service corridor and back into the shopping centre.

 

The aim of our mission changes from finding The Reverend to basically calling in a helicopter to rescue us, as the guards finally admit to not having a clue what to do. We make our way up several flights of stairs to the top of the car park where we were to lay down an SOS so a helicopter could come and pick us up. We reach the top of the car park and find a conveniently placed box that had some sheets in for us to make an SOS. Just as we finished, another car alarm went off and a zombie fell out of the car, chasing us down two levels peppered with other zombies before we finally went into another stairwell and went down to the shopping centre where The Reverend could be found.

 

We inch our way forwards to give ourselves a better vantage point to see if there were any zombies about and Maverick being Maverick did his own special check which had me absolutely doubled over in hysterics to the point where I was almost getting stitches from that rather than the running! We got given the all clear and I pull myself together enough to run from where we were stood to the Hide and Shriek shopping unit, where an odd character in a white vest, underwear, and doctors robe met us. He examined the vial of blood and confirmed it was good we came, and we were led into the pitch black corridors to meet The Reverend. We find ourselves back in another service corridor before we reach The Reverend’s door and are ambushed by another small horde of zombies, which we try to hold back with a wheelie bin though this was futile without four of us trying our hardest to hold them back whilst the rest of the group struggled to open the door.

 

Finally the door was opened from the inside by Maverick who had managed to disappear in the havoc and let us in. We re-entered the darkness and barricaded the door behind us. As our eyes grew accustomed to the dark, it became apparent that we were very much in a hospital/laboratory thing, the home of The Reverend. He introduced himself and reiterated that the blood could save lives, and he was determined to show us – he took us through to his back room where an infected lay on an operating table. People were picked out of the crowd, myself included, and we were given specific actions – one of us had to inject The Chosen One’s blood into the infected and the other had to take note of the heart rate as it was yelled out. As the infected was injected with the blood, he slowly came back to life and started convulsing uncontrollably: the lights went out and the infected had vanished! We were ushered into a seated area behind two sheets as the lights in the room strobed at an unpredictable rate, causing the shadows of the zombies to flicker across the sheets as they maul The Reverend. In the madness, the zombies were shot at and we were quickly ushered through more rooms before we found ourselves in an unused shopping unit. We were then told we just had to run in order to escape the hordes and find our own way to the next Safe Haven – the doors to the shop opened and we all sprinted to the exit of the shopping centre, laughing and cheering all the way.

 

Comparing this year to last year, there have been a huge amount of changes based on feedback from last year: the reasoning for going to each of these locations was clearly explained and followed a storyline, and they added a rather effective and well executed piece of theatre within their shopping unit. Alongside this, the shopping centre security guards that took us through the experience were a great touch, not only because army soldiers are done pretty much everywhere else, but also because they bought the trademark comedy to the show which definitely couldn’t have been done with soldiers.

 

Having said that, I do have a few criticisms (of which I know couldn’t be helped), but having chatted to others that had been through as well as the H&S team, it seemed to just be me that picked up on it: there was a lack of zombies. The Loading Bay scene had potential for a good 10 or so zombies to flood the area and make it really chaotic – this was also noticeable in the Car Park and the Service Corridor scenes, though the security guards yelling did add to the confusion a bit. It also would have been nicer for the zombies to get closer too as none of them really felt like a threat until the Finale chase where you had no choice but to weave in and out of them: we had a good ol’ run around the car park and the zombies had a decent enough area to chase us in, but they ambled about and were so scattered about the place that, had it been a real apocalypse, the 17 or so of us in the group could have easily just taken them out.

Continuing on the zombies, whilst I got the idea that in each of the zones the zombies were meant to get progressively more and more zombified, it didn’t really show – there were zombies that did they make up professionally and some that hadn’t, and whilst 99% of the time it wasn’t noticeable, it definitely was toward the end when we had our photo opportunities with them.

Also, something like fake barbed wire between the barrels and wall in the foyer bit right at the beginning of the experience would have been cool, but not a necessity.

The one final thing I want to shit on (in the nicest way possible) was the scene within the unit. I understand it’s a small area, but those bloody seats that were facing side on so you had to turn your head really didn’t do anything, and in fact kinda detracted from the experience a little as you had to hold an uncomfortable position for a short while. I’d have also had the lights flash a little bit quicker, but that’s just personal taste – the way the shadows projected onto the sheet really added to the visuals and helped soften the brightness of the strobes.

Despite these few critiques, I honestly enjoyed myself and whilst it wasn’t a scary experience, it sure was fun, entertaining, and hilarious! If it makes a return (and I hope it does), I very much urge you to go.

 

23/09/2017 – Hide & Shriek: Dead Centre

20/05/2017 – Down the Rabbit Hole

Bare with me here, it’s one thing reviewing a haunt where the theming is constantly changing in the 15mins or so you’re in there and a completely different ball game to review what happens for an hour in a room.

Going back a few years, I was lucky to get to take part in what I believe was the first escape room in the UK. it was tough and stressful, and whilst I had fun, I wasn’t very good, but it wasn’t something I ever saw myself doing again. Sure, since then I’ve done other events that had escape rooms, but they weren’t *pure* escape rooms – they usually had a piece of theatre which made up for the escape room bit for me.

Anyway, a friend won two tickets to Down the Rabbit Hole and invited me along, teasing that it was a scare escape room and that other reviewers had given their previous escape room fantastic reviews, so I rather happily accepted

We arrive at Escape Room Southend and had a chat with Wayne (one of the owners) about upcoming shows whilst the previous group finished up. Once they were out, we were ushered in and realised that we’d be trying to escape on our own – probably not the greatest idea seeing neither of us are any good with puzzles!

So the story is the White Rabbit got infected with a virus and, rather foolishly, escaped down the rabbit hole and back into Wonderland where he began to infect the other residents: it was up to us to solve the clues, escape, and release the antivirus! After a few nervous glances as we realise how screwed we were, we were taken through to Wonderland and the game began!

We started off like headless chickens, grabbing bits of random scenery that we thought might be of some help, figured out where all the puzzles were and what locks linked to what clues, then brainfarted as we looked at each puzzle. Bit by bit, and with a gentle push here and there, we slowly managed to digest and solve each puzzle, even whilst being tormented by the infected.

This single room escape is, without doubt, the best I have ever done. It was stressful, tense, challenging, and the things coming from both of our mouths as we were subjected to the horrors of Wonderland were utterly hilarious and cringeworthy at the same time! The puzzles themselves were a little above our IQ level, but we managed to escape with just under 90 seconds to go! I definitely had a blast in there, and will definitely be back to see what they have hidden within their walls over the next few months! A big well done to the team there for living up to the hype!

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20/05/2017 – Down the Rabbit Hole

24/02/2017 – Delectably Dead

It has been a long time since I last saw or heard anything from the depths of Southend as Hide and Shriek went silent shortly after their Halloween plans, which had me a little worried as there’s very little in the way of haunts down in Essex and they’re one of my favourite event organisers, so when Delectably Dead came onto my radar, I was all over that like a zombie on brains!

From what I knew about the show before entering, I knew it was going to be a mix of theatre and dinner at the same time. I did one in Disneyland or something years back that was themed to cowboys and you got served dinner whilst stuntmen did acrobatics and all sorts on horseback, so I was kinda basing my judgement on that: I wasn’t wrong, but I wasn’t right either.

Upon arrival, it was clear that the intent was to completely immerse you from the second you stepped into the event. We were served drinks in the function room next to the room Delectably Dead was hosted which had caution tape wrapped around pillars and amusing signs dotted around the walls, and when the main doors opened we were given a little booklet that we had to fill out which was also riddled with Hide and Shriek humour (which I absolutely love).

Once we had filled out our rations booklet, we took our seats on our designated table, which was unfortunately further away from the stage than I had liked but we can’t win it all, I guess? Anyway. Looking around the room at the theming on the tables, in the rations book, and on the screens dotted about the place, it was clear that there was a lot of inspiration from the Fallout game series which I highly commended and actually got loads of positive feedback from friends when I showed them the pictures. If you can imagine sitting at a diner with caution tape stuck to the tablecloth whilst hanging industrial/miner lights flickered on and off to simulate being run off a generator, whilst 1940s/1950s-esque music played on repeat in the background and the characters wandering around whilst introducing themselves to you, you’d kinda get the bizarre mixture of haunt meets dining experience feeling.

The room filled up to the brink with a bizarre demographic: the ages ranged from their teens right through to their 40s and maybe 50s, wearing either t-shirt and trousers or smart casual. It was clear that it had bought the dining experience crowd and the horror/haunt crowd together in a room for an evening, which was absolutely lovely as we found ourselves making fantastic friends with people dotted all throughout the room during the course of the event.

Soon enough, it was showtime! The characters all popped into action and the generic zombie story began, with lots of thrills and spills, and a surprising amount of violence and rude language, which was surprising seeing as the other Hide and Shriek events I had been to definitely lacked these – definitely not a negative point as all the actions and language had its reason to be there. Not long after the show began, we got treated to Hide and Shriek’s trademark introduction video (I won’t lie, I was looking forward to this). For those that have never been to a Hide and Shriek event, it’s basically the generic safety briefing you get just as you’re about to enter a haunt (don’t touch the actors, they might touch you blah blah blah) but done in the style of the show, with lots of humour. I really and truly hope they never get bored of these, because I absolutely love them!

 

I guess this is the bit where the it gets tough to write about the event because it wasn’t a haunt, it wasn’t immersive theatre, it was a dining experience. For those that don’t know what that is (I didn’t know until 24 hours ago either), it’s basically a theatre show with a number of intervals dotted throughout in which you get given a chance to eat, go to the loo, top up your drink, have a smoke, etc. As someone who came from a haunt/theatre perspective, it really didn’t work for me – it felt like just as we were getting immersed in the show, we were ripped away from it to eat.

In my opinion, there were three different factors that ruined the experience for me. I’m not including the immersion issue above as that’s not an issue with the show per se, it’s my expectations coming from the haunt/theatre scene as opposed to faults in the show.

The first is the volume of the actors: whilst they did well to project their voices so that the ~200+ people could hear them, it was nigh on impossible to hear and understand what was going on through entire scenes in some cases due to the positioning of the actors and the general background noise (and not-so background noise, in some cases) from the audience. I’d suggest radio throat mics that hooked into the same PA system the projector and TVs were using.

The second is alcohol. I get that it’s nice to have a drink when you’re out at a theatre show, but there were some incredibly drunk people there that were yelling at inappropriate moments and generally treating it as if it were a pub, which the actors tried to combat but drunks are just complete and utter cunts at times, and none were more cunty than the cunt that was sat on our table yelling out the most vile shit I’d only expect at a Britain First rally. The actor receiving the abuse dealt with it in a fantastic manner and manged to keep himself composed extremely well, but fuck me I have no idea how she woke up this morning with just a hangover! The worst bit is, there were bouncers at the only entrance to the room that should have seen she was just getting drunker and louder as the event progressed and could have stopped her from re-entering the room for being too drunk, but all they did was give her a warning. I get that she had spent money to be there, but so had another 200 odd people and the last thing we wanted was to hear a load of racist bollocks instead of the show. I’d have either had a dry event or limit the alcohol to a bottle of wine between two people, with the bottles sat on the table, and then the bar open at the end. This could have potentially saved the actors from having to scream and yell so much that they were getting hoarse voices by the end of the show.

The third point is the number of people. Where we were sat (Zone E) was the opposite side of the room from where the action was taking place. With the two factors above and having a number of bodies obscuring our view, we had no idea what was going on and honestly started getting bored of sitting there trying to figure out what was going on, and only a handful of times would an actor come by our table for the briefest of moments – I feel sorry for the tables that were right at the back by the bar, it’s hardly surprising that they were just drinking and having their own little fun. I’d definitely consider having the number of tables one row, or maybe two rows, deep so that everyone is included in the show and it’s easier to follow.

 

 

Moving onto the positives of the show, the amount of detail in the very minimalist scenery was incredible – the posters that I mentioned in the bar were placed in the advertisement spaces in the loos, the little jokes on the ration book and in the intro video, the little stickers on the food, it all had something amusing that related to the apocalypse and zombies, and really added to the dining experience side of the event.

Also, from what I could hear I’d honestly say that without the dining experience bit and with the right crowd, this would have been a really tense and gripping piece of horror/thriller theatre. The combination of live actors and video really meshed well together, and really pulled off the horror tropes and paid homages to pioneering people and movies well. Sure it’s “another zombie show”, but the level of dedication the actors poured into their characters was so high that it would have been easy to have believed everything they said and for it to feel like it wasn’t just “another zombie show”, which actually really made me sad that all this effort was poured into the show only for it to be ruined because it felt like people couldn’t give a fuck about the show.

 

On reflection, I’m happy to chalk this down to a bad audience as all the other Hide and Shriek events I’ve attended have received nothing but praise from me in the past, though I don’t think I’ll be returning to another horror dining experience in the near future.

 

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24/02/2017 – Delectably Dead

10/02/2017 – Valenterror

The Christmas period sucks for haunters. Sure, I did Zombie Infection at the beginning of December (though apologies for no official review, was feeling burnt out after the Halloween season) but that was still over 2 months ago, so I was super excited when a group of friends said they were up for Valenterror at Scare Kingdom!

Scare Kingdom is one of my staple haunting grounds (ha): the scenery is fantastic, it’s set far away from everywhere else which adds to the creepiness, and there’s not been one haunt there that I’ve thought negatively of, so when the opportunity arises I’ll be there in a heartbeat (haha, goddamn these puns).

Anyways, this visit was for their Valentines event, aptly named Valenterror (see where the pun went yet?). Manormortis opened its doors for one weekend for brave couples to enter the haunted manor armed with just one lone glowstick and face the zombies that hide inside.

Upon arriving outside Manormortis we were met by Dougie, the resident grave digger, who explained to us that he was just digging up bits of bodies to sell on a popular well known auction site, when all of a sudden the bodies started moving about on their own and that they had all been trapped in Manormortis: he also pointed out that one of us would be entering alone.

We enter the attraction and I get handed a glowstick – my friends decided to throw me under the bus and give me the satisfaction of going through the haunt alone (won’t lie, it was absolutely *great!*). I ducked through the fireplace and started my slow and winding journey through the pitch black corridors with a glowstick that did absolutely nothing to light my way, though the zombies had no problem finding me: I was charged at, had zombies appear in front of me from nowhere, and slowly stalked from behind – these zombies knew exactly how to work the darkness and their little lights to create some fantastic jump scares and illusions that’d give everyone the heebie-jeebies, including myself!

Travelling through a haunt alone is really bizarre – I usually use other people as a source of distraction from anything that might make me jump, but I couldn’t depend on that this time, and there were a few scenes, one including a painting, that caught me by surprise even though I had seen them all in action the previous times I had been through!

We, or rather, I, finally made it to the end scene (which hadn’t changed since Halloween), and anyone that knows about it knows what to expect; let me say it is a completely different ball game when you’re on your own and getting some lovely one on one time – it’s been a long time since a boo haunt made me nervous, and that actor really hit the nail on the head.

As quickly as it started, it was over, which was a shame because it was great to be able to walk around a haunt on your own and get all these personal interactions with nobody else around, especially in a haunt as special as Manormortis, which I feel is a side effect of the lack of lighting as there’s so much to see in there when everything’s lit up – there were definitely scenes that really fell short due to the lack of lighting, though the corridor of wine bottles was actually much, much more claustrophobic with the lack of lighting and being alone. If I had to choose a favourite scene, it was either the wine cellar or the tunnel after the boiler where I was charged at by a zombie.

All in all, I definitely had fun and enjoyed myself, even though there were a few negative comments, not that you could really do much about them – long haunts with short through-puts are few and far between and aren’t too popular, and glowsticks never have and never will be a fantastic torch, but I’m glad I managed to experience my first glowstick lit haunt, and to get the 2017 season started!

10/02/2017 – Valenterror

21/10/2016 – Yorkshire Scare Grounds

After a quick re-shuffle of haunts due to timings (I really didn’t plan this tour at all…) I found that we had a date missing a haunt, so we decided to sneak this one in!

We were put in a group of 12 and were sent on our way through the scare grounds…

 

House of Arachnia – Mutation

The first haunt on the tour played on the fear of spiders. The character setting the scene was rather quiet and the voice he put on made it hard to understand what the story was, but I figured it had something to do with spiders taking over a house due to all the cobwebs everywhere.

It was a very basic haunt with few characters, most of which didn’t make sense whilst in there, but the bedroom scene has a really neat little trick that was kinda cool.

What was disappointing was that all the scares were aimed at the first person in the queue, meaning we got nothing right at the back and we started to get bored.

 

Forest of Freaks

As the name suggests, this theme was freaks in a forest. The forest itself was perfect for these clowns to run around without being seen, and they did that extremely well, but as with the haunt above, all the scares were aimed at the front of the queue. By this point we were so bored at the back that we started making the rest of the group jump to entertain ourselves.

 

The Chapter – Order of the Raven

With a sinister feel, I found this long-ish haunt rather interesting: we were constantly ducking between indoor and outdoor scenes but as with all the other haunts at this attraction, all the scares were aimed at the front of the group.

On a more positive note, the Raven’s costume was really impressive!

 

Lockdown – They’re Out!

This is where the haunts seemed to pick up a bit more.

Greeted by a soldier, we were given a nice long intro story to the haunt that set the tone. From actors that were hidden in plain sight through to the zombies banging on the fences as we went passed, it was a disorientating and complete sensory overload that had us on edge: we especially liked the use of water in this haunt as well! The only issue I had was the zombie wearing glasses: it just kinda broke the illusion a little.

 

The Tomb – Afterlife

This was, by far, the strongest haunt there. Themed around Ancient Egypt, we were led into a tomb that’s protected by a curse that comes to life as you progress through this clever and innovative haunt! The scenery throughout was incredibly detailed and at points it was impossible to tell the difference between a prop and an actor, which played to our disadvantage in the strobe maze! The tomb corridor was the highlight of the haunt and the attraction!

 

The attraction started off rather weak but definitely improved as you went through. If you do decide to go, try and work it so that you’re at the front of the conga line to get the most scares, and toward the back if you’re jumpy.

 

Also, definitely have a photo taken in their photo booth, and take a look around the gift shop – one of the actors draws as a hobby and was selling some pictures when we went through, and I got this amazing picture of an evil blue critter that I absolutely love!

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21/10/2016 – Yorkshire Scare Grounds