17/06/2017 – Hide and Shriek: The Seance

A few month’s after Hide and Shriek’s last endeavor Delectably Dead, I found myself in Southend once again for their brand new show titled The Seance. Based on a true story, a group of up to six hauntees (that’s you, dear reader) enter a rotting old house to take part in a private seance in order to unravel the house’s dark and mysterious past, and, hopefully, survive!

Having done a few seance themed haunts previously, I was intrigued to see how Hide and Shriek would explore this serious genre whilst still keeping their trademarked humour in tact; however, bar the pre-show briefing video (spot on as always!), they’ve completely abandoned their humour for this show and by amazing use of lighting, sound, and incredibly detailed scenery, created the unnerving and tense atmosphere you’d expect when trying to contact someone from beyond the grave.

We follow the instructions given to us before entering the show room and take our designated seats at the table, the tension already getting to us, and wait. A radio fizzles to life and a voice explains that we’ll be performing the seance ourselves with his direction. A medium was chosen, and the seance began…

What happened over the next half hour was something I’m having trouble describing. It was incredibly intense, unnerving, and extremely immersive to the point where even I was worried of what was behind the locked door! The absolute beauty of this haunt is that you feel isolated from the real world and completely vulnerable, even though you’re just sat at a table – here were definitely times where I’m sure there was more than just us two in the room. Another incredible thing is, even though you might be in a group of 6, everyone will have their own “version” of events, as the special effects are everywhere in the room!

For a company that has only been around for 18 months, Hide and Shriek have really pulled something special out of the bag with The Seance and are well and truly paving the way for experimenting with new ideas and new attractions, and I look forward to following and supporting them wherever they go. For the established producers out there: be worried, these guys are about to get huge!

17/06/2017 – Hide and Shriek: The Seance

29/04/2017 – Walpurgis Night: Half Way to Halloween

Scare Kingdom Scream Park are back once again with another fantastic haunt hidden within the walls of Manormortis, and the final show of Snuffhouse Alone!

 

Hyde and Seek

Themed around the story of Dr Jekyll and Mr Hyde, guests are bought into the dark and dingy world wherein a secret elixir, created by none other than the doctor himself, gives the person imbibing it the gift of eternal life with some unfortunate side effects, which the doctor wasn’t shy about demonstrating on an unfortunate victim. Soon enough, the victim had turned and we were rushed away from the pair and into the main attraction.

 

As we progressed we encountered a range of characters, from an old and rough scullery maid through to an overtly camp (and utterly hilarious) aristocrat, all of whom added their version of the story into the fold until you were so immersed that you felt you were playing a detective in a murder mystery movie, all while Jekyll’s previous victims lunged at us from the hundreds of hidey holes dotted around the manor. It all came to a head when we managed to get into the wife of Dr Jekyll’s bedroom to talk to her about something before she sent us on our way to find her maid, and before we even knew what was happening, the lights went out and a strobe light flickered, illuminating Mr Hyde before he disappeared into the night again.

 

This was, for me, my favourite story to be played in Manormortis. It had absolutely everything that is needed for someone to go in, get spooked, come out, and laugh and talk about after. From the hilarious Aristocrat with his “crossfire” skit (it has been a long time since I laughed like that) through to the creepy priest, almost everyone’s character was on point – unfortunately the lawyer in the upside down room and nursery fell short just a little in comparison to how strong the other characters were. Otherwise, everything about the characters was perfect!

On top of this, the bit I loved the most (well, bits – they kinda go hand in hand) was the storyline. How I bloody love a storyline, and to get me so immersed t(o the point where a character said “come closer” and I did in the 15 minutes we were in there) just goes to show that a haunt can provide scares and story, and because each scene lasted a good few minutes, we were able to actually look around and take in the beauty of Manormortis, which is usually missed as everyone gets rushed through.

Overall, Hyde and Seek was an absolute blast of a show that blended comedy, scares, and downright sexual acts together tastefully to provide one of the greatest haunts I’ve experienced at Scare Kingdom.

 

Snuffhouse Alone – Bloodborn

Snuffhouse is, as many people know, an extreme attraction that costs an extra fee to take part in. Lasting roughly 10 – 15 minutes (depending on if you use the safeword), victims are at the mercy of The Tormentors who, as their titles imply, are there to make your life hell.

This is the first and unfortunately last time I took part in Snuffhouse Alone, and I’m glad I didn’t miss out! With an all female cast, some fantastic reviews from the last few runs, and the knowledge this will be the only time I would be able to take part, I stripped down to my t-shirt and jeans (hey! It’s cold up there and I didn’t think I’d be able to participate!) and stepped in the queue.

From the moment I entered Snuffhouse, I was hooded, bound, teased, degraded, interrogated, beautified, and generally abused, but I couldn’t help but grin all the way through from what I had just experienced or what I was told to do, it was just an absolutely fabulous run with some fantastic ideas and clever tricks that I’ve not experienced before in a haunt!

Fortunately for me, I can’t do any of the eating scenes (yay for chronic illnesses! (I’ll let you decide if I’m being serious or not there)) so I didn’t get the “full shebang”, but what I did experience is the perfect introduction to the extreme haunt scene, and I would have thoroughly recommended it to anyone who has ever wondered why extreme haunt fans like their extreme haunts. I totally regret not going back through!

 

Overall, Walpurgis Night was an absolute blast, and it’s such a shame that it didn’t run for more than one night to allow more chance of people to see those two absolutely stunning haunts.

 

 

29/04/2017 – Walpurgis Night: Half Way to Halloween

20/11/2016 – 139 Copeland Road

Before I begin, I’d like to apologise to anyone that’s been anticipating this review, especially the cast of 139 Copeland Road: I was seriously ill for the event and just about managed to drag myself along, and since I’ve literally not had the energy to get round to writing this up.

 

Anywho, on with the review!

 

After the sheer intensity of Séance in Birmingham a few weeks earlier, 139 Copeland Road suddenly appeared on my Facebook feed, and with only a small number of likes and a rather captive backstory, I knew I had to go to it one way or another. I spoke with a few friends and managed to get tickets for the same show as my friend from Europehaunts, who frequently flies to the UK to experience the shows here. With much excitement, we counted down the days until the show.

 

As I explained above, a few days before I had a flare up (I’ve suffered from Crohn’s disease since 2014, and it’s rare for me to admit it so publicly but I very much have reason to), which included intense stomach cramps that are unbearably painful, which almost made me give up my ticket; however, I didn’t: I got dressed (readas: put clothes over my pyjamas) and headed off to 139 Copeland Road.

 

I got to Hackney Wick station and punched in the postcode on my phone, and began following the instructions, half forcing myself to just go and get it over and done with. After getting lost despite being stood right outside the venue, I bumped into the guy from Europehaunts who seemed to have his head screwed on more than me as he instantly saw the venue: a derelict house.

 

We approached 137 Copeland Road, showed our tickets, and were let inside, where we were greeted by the sights of a completely gutted house, an absolute skeleton of what we’d consider a building. Music wafted through the air while floodlights splashed light across the walls, which were decorated with newspaper articles, pictures, police enquiries, and all sorts of information about seances and the family that lived there.

An eccentric man dressed as if he had stepped out of a steampunk fantasy novel explained the story of 139 Copeland Road: Mary, a single mother of two, had been living at 139 Copeland Road. She had been a school teacher, a much loved figure in the community. One night in 1974 however, a house fire led to Mary and her two boys burning to their deaths. The bodies were never recovered. Since then, the house has stood empty, partly due to the derelict state, but even more so because of the rumours. The sightings.

As soon as he wrapped up the story we were led into 139 Copeland Road, which was just as derelict, if not moreso, than the building we had just come from, and even upon entering there was something not quite right about the house. We were invited to take a seat at a table that had a lightbulb dangling from the rafters above, dimly lighting what felt like would have been the living room before the fire, whilst the Medium set up the seance with an offering of food, candles, and a picture of Mary, whom we were trying to contact. The light dangling above the table was turned off, leaving us bathed in the light of the three candles. We all joined hands, and the seance began.

Over the course of the next half hour, all of us at the show were completely encapsulated in the seance; lights would flicker, objects would vibrate and shake, and even though at a subconscious level I knew it was fake, I could have sworn there was someone stood directly behind me, staring at the back of my neck – something that Europehaunts also felt.

We found ourselves rushing around this decrepit house, our paths lit only by two of the smallest and dimmest torches ever, as we try to unravel the secrets that 139 Copeland Road held: we soon learned that the fire was no accident, and there was something much darker and sinister lurking in the shadows.

Though that entity sure wasn’t the only thing to be hidden in the shadows: there were points where we were plunged into pitch black, huddled in a corner as all sorts of noises rattled around us, making everyone feel claustrophobic. In one room, we were stood with a faint ticking noise that grew louder and louder from the loft, which became more and more consuming the louder it got – the ticking was the most intense and attention grabbing noise I’ve ever heard in my life, then it stopped. We all stood there in absolute silence, waiting.

As the show drew to a close, the experience became more intense still, as the guy who set the scene ended up disappearing in front of our very eyes, and we were chased out of the building by a roar that somehow chased us all down the stairs: the finale, an absolutely mindblowing scene that used the chaos as a perfect cover to transport items from where we were to the sinister entity more than 10 feet away from us, which was incredibly impressive. We were soon chased out of 139 Copeland Road and onto the streets, where we all took a moment to sigh and decompress before laughing at how immersed and scared we all were.

 

Well, what can I say? This has to be one of the best pieces of immersive theatre I’ve ever experienced – I don’t usually get sucked into a story within 10 minutes of the show starting but this got me perfectly – I even forgot that I was in pain for the entire show, which is absolutely incredible!

Despite there being only a handful of actors, each one played their parts perfectly – the Medium did a fantastic job of acting exactly like Mediums do on Most Haunted and the like, the guy that set the scene was really easy to listen to and believe, and the plant that I suspected was a plant at the beginning actually had me fooled once the seance began, and the sinister entity used the strobes perfectly to seemingly glide across the room at numerous moments in the event (though a black zentai suit would have been a bit creepier).

Considering the only effects that were used were flickering lights and speakers (probably triggered from 137 Copeland Road), the company behind the show were able to quickly and effectively suspend reality and create an entire world within the walls of that house. I’m glad that I forced myself to go despite being ill, as I know I wouldn’t have forgiven myself for not going.

One eensy-weensy criticism was that the speakers in the bedroom and living room were easily visible (if you knew where you were looking) and the two strobelights used at the end could have been moved so that they were hidden behind the beam where the dividing wall was (can’t explain it any better unfortunately – sorry!).

I look forward to hopefully seeing more from the creators of 139 Copeland Road, as they are definitely hitting the nail on the head when it comes to immersive theatre.

 

20/11/2016 – 139 Copeland Road

11/06/2016 – Twisted Attractions

Not even a month has passed since our last haunts at ScareCON and I gotta admit, a number of us were itching to get ourselves to another as soon as possible! We pulled together a quick 300 mile round trip to Twisted Attractions in Birmingham from Essex to do Coulrophobia and  Dr Hades Fear Theatre!

Unfortunately, we found out when we arrived that Dr Hades Fear Theatre was having teething problems so we didn’t get to see the show. Whilst we were disappointed, we completely understand why, and you can find out more too…

 

Coulrophobia

Whilst we were in the queue we were treated to a number of strong characters, including Dr Hades, Madame Pompadour and a rather creepy clown. Dr Hades was absolutely incredible in bringing the maniacal doctor role to life and definitely had the queue creeped out with his creepy games. Madame Pompadour a graceful and elegant character that really captured your attention. The creepy clown was, well… creepy. Evil laugh, thousand yard stare that feels like he’s staring into your soul… the whole shebang; definitely an unnerving character (and that’s coming from someone without a fear of clowns!)

Inside, the haunt is fantastic: what Phobophobia last year could have been, these guys ran with the freakshow theme (despite the name – yes, there is a clown, but it’s not a clown haunt). Expect to meet a variety of freaks on your way though!

Visually, there is a lot going on. The decor as you go through is really clever and builds up a sense of disorientation which builds more and more as the haunt progresses; we actually ended up getting completely and utterly lost at one point, and ended up doubling back on ourselves multiple times.

The characters themselves were well developed and owned by their actors – the clown in the strobe maze really worked with the strobes and owned his section, and the first character we met was just absolutely entertaining through and through.

We were informed that the maze was missing a few final touches, but when we went through it was definitely standing strongly on its own two feet; the final touches just sound like it’s only going to be better next time.

 

Dr Hades Fear Theatre

Remember when I said we didn’t get to see Dr Hades Fear Theatre? I lied a bit: the haunt is having teething problems but we were lucky enough to get a sneak preview of what to expect, and let me tell you that when it’s finished, it is going to take haunts in a whole new direction. If you’re ever in Birmingham and Dr Hades is open, you definitely need to go and see it: I’m already seriously impressed and we only got a sneaky 5 minutes!

 

Twisted Attractions is a very strong independent haunt with actors, techies, artists, and backstage crew that clearly love doing what they do, and it shows; especially in the actors improvisation throughout. If you’re ever in Birmingham and they’re open, I definitely recommend taking an hour or so to go and visit:

 

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11/06/2016 – Twisted Attractions