16/01/2018 – Take Me Home: Horror Within

Walking up the stairs toward Take Me Home’s Horror Within, I had no idea what to expect: I’ve done haunts with the tiniest possible floor space possible that have really packed a punch and left a mark over the last few years, however when I heard that there would be live actors inside the impossibly small room looming from the balcony above, I was curious as to see just how this would work.

We were ushered inside and told to take a seat at a table in this gloomy early-1900’s drawing room, smoke hanging still in the air to create a haze. As we’re all sat and made comfortable, we’re asked to turn off our phones and tuck our belongings in under our chair and we wait as atmospheric music washes through the room, trying to stir up a joke with each other which are followed by short-lived nervous chuckles as nobody had any idea what to expect, myself included: the lights went out and a music box dances its way through the darkness…

What happened over the course of the next hour is really hard to fully encapsulate in words: I could tell you every little detail, every line that was said, every glance over the shoulder, but that just wouldn’t carry the same weight that the atmosphere created by the Take Me Home team managed to create: I can’t speak for anyone else in this performance but I was very much eating out the palm of all the actors hands throughout the performance.

Given that this was the premiere performance, I was a little concerned as to how rough it was going to be as I had spoken to the producers they were entirely, and understandably, nervous themselves; however the actors took this all in their stride and rolled with whatever hiccup had happened, which lessened the impact of the issue entirely – something that definitely isn’t easy, especially when some of the pieces were narrative!

There are a few changes that I’d make that I thought might have a better impact which have already been passed onto the team but won’t be posted here as they’d give away elements of the show that are best left unknown: having said that, if the actors can see that the audience is really eating out of the palm of their hands, definitely draw out poignant sentences and embellish motions more. I very much look forward to returning to see the full show later this week!

The world within the four walls of Jacob’s drawing room is so beautiful and rich that it’s entirely easy to forget the outside world exists at all: the actors and effects blend beautifully together to create an atmospheric and haunting show that’ll stick in your mind for a very long time!

 


 

UPDATE: I’ve just returned from my second showing of Take Me Home: Horror Within and I walked out just as impressed as I did the first time! A lot has changed: entire scenes have gone, new effects have been introduced, and what worked in Tuesday’s show has been improved on since, and the actors have really settled into their characters which made their interactions much more believable: I was thrilled when I found out the show has been extended and I urge you to go, even if you’ve already experienced it!

 

Facebook: https://www.facebook.com/takemehomeplay/

Tickets: https://www.thebroadwaybarking.com/sales/genres/drama/take-me-home–horror-within

26857095_2296906710620957_1705623219_n

Advertisements
16/01/2018 – Take Me Home: Horror Within

13/01/2018 – Room Escape Southend: Apartment 666

Three weeks after getting spooked silly by a zombie Santa, Room Escape Southend had completely gutted their winter wonderland theming along with the cabin that’s been stood for the last two iterations of their room escapes, and has been replaced with an ultra modern flat: Apartment 666.

This has to be the toughest room that Room Escape Southend have put on with puzzles being rather complex and spread out across the apartment, which is only made harder as portals between the two dimensions open…

I’ve deliberately left this short and sweet as it’s only in its second day (at time of writing) and I really don’t want to give too much away, but the Room Escape Southend team have really worked their arses off to bring you what is an intense and testing escape room that’ll leave you screaming and ducking for cover as you work your way out of the room!

 

26909824_1473610242751787_1688922933_o

13/01/2018 – Room Escape Southend: Apartment 666

16/12/2017 – Scare Kingdom’s Christmas FestEVIL

The frequency of my visits to Mrs Dowson’s Farm are becoming more and more frequent: after learning about their out of season events during Jason Karl’s talk at Scare Kingdom, I made a point of attending Scare Kingdom this year for their Christmas FestEVIL event, in which we see the famous Manormortis evolve into a new and creepy yet fun Christmas themed attraction! Alongside Manormortis, and for the first time at Scare Kingdom, the impressive Body Snatchers opens its doors again, with Psychomanteum: BloodMASS, The UK’s sickest attraction, also opens its doors once again for those truly looking to be grossed out.

 

Manormortis – The House of Living Toys

Setting itself apart from the Halloween run, Manormortis brings another aesthetically beautiful world in which living toys are running rife and giving warning to all who pass through, though not all toys are friendly! With a nice twist on the pantomime theme and all the prose written in rhyme, this attraction removed itself from the jump scare scene and firmly planted itself in the creepy and atmosphere section of the haunt world thanks to its extremely theatrical nature and the actors within – huge shout out to the soldier in the courtroom and the ballerina for really bringing their characters to life! As with all Scare Kingdom attractions and pantomimes in general, some of the scenes and prose really toed the line with its content and whilst it could be said that it should be kept innocent, Manormortis did it with such confidence that it came across rather tastefully: got to give a round of applause to the Russian doll for putting up with my crap banter.

I truly loved this show as it didn’t feel like we were rushed through the attraction, meaning we were able to take in the beautiful sets and costumes; having said that though, some scenes did start a bit too early meaning that us lot stood at the back missed out on the beginning of some scenes or couldn’t hear the actor over the music, which is a shame. I’d have also liked the monster in the finale to have had more time in the strobe so we could take in the beauty of the costume.

 

Body Snatchers – A Christmas Presence

Stepping out of the gorgeous Manormortis, we follow the path through the entrance of Prey and instantly out the exit and straight to Body Snatchers, another stunningly themed haunt that opened its doors for the first time this Halloween. Themed around a seance led by the quirky and over the top Florence Cook, this attraction had a lot of potential and a real name to live up to, given it immediately follows Manormortis.

We step into the cobbled streets of what feels like a Sweeney Todd style London road and are welcomed by the hilarious Fishy Fanny who entertained and flirted mercilessly with the crowd, much to the amusement of the audience, who only became more amused as the famous Dougie steps out from the house and tries to bring the crowd back into the mood they should be in, with very little help from Fanny. With a huge grin on our faces, we enter the funeral home and meet Florence Cook who guides us through the Seance with great gusto and, as I’ve said before, over the top manner that you’d expect from actors in Pantomimes: we were shown a rather clever magic trick before being guided into the rest of the attraction.

Whilst I really enjoyed the two scenes described above, I feel like the rest of the attraction fell flat as soon as we ducked through the fireplace: we hit a corridor and an actor seemed to break character before splitting us up into twos for the rest of the haunt, which was identical to the Halloween season, except for the monsters hidden within just seemed to guide you to the exit of their scene and didn’t attempt to do much else. Given it was a funeral home that we were holding a seance in, there could have been a lot of exploration with malevolent spirits and poltergeist activity and such. It just felt like it had this beautiful set up into something rather elaborate and as impressive as Manormortis’ story, but nothing came of it, which was unfortunate.

 

Psychomanteum: BloodMASS

I both love and hate the NDA we sign upon entering this attraction, as I always feel like I’m writing the same review each time, but honestly, BloodMASS was what Snuffhouse Bloodbourne was if delivered under the Psychomanteum title: I spent the entire time going between feeling uncomfortable, gagging, and laughing through each of the scenes… right up until the finale where the actor actually said my name – something that always throws me off-guard and unnerves me (and now the whole world knows). BloodMASS was much grosser than the other two iterations I’ve done and felt like it lasted a lot longer than at Halloween, which is incredible as it never let up the whirlwind of filth and Debauchery that can only be found in Psychomanteum: there were certain scenes in there that I really didn’t expect despite being told what I’d be up against (I’ve got to be careful with what I ingest). Only improvement I could suggest is that certain elements be warmed up so they feel how they’re meant to feel – otherwise, as usual, I had a right blast and can’t wait for February!

 

16/12/2017 – Scare Kingdom’s Christmas FestEVIL

02/09/2017 – Hide And Shriek: The Seance Brave it Alone (Preview)

I’m starting to let my fanboy show with all these trips to Southend, especially as I went back to the sunny seaside town for another viewing of The Seance – this time, I was going alone!

Brave it Alone experiences offer the victi guest a new perspective on the experience as there’s no way to divert nervous energy, actors tend to feel like they’re picking on you and will get up close and potentially touch you, meaning the experience feels much more intense and personal without it being too “extreme”: if haunts were subject to ratings like films, boo haunts would either be rated PG or 12A, brave it alone haunts would be rated 15, and extreme haunts would be rated 18.

So after talking to Scott and George of Hide and Shriek, they mentioned that they were curious about running a Brave it Alone experience for Seance to see if they could do it, and me being the weirdo and sucker for a good scare, I jumped right on board and got a ticket for the first showing I could actually attend, which was probably not the best idea in hindsight as it gave the guys very little chance to up the scares.

I arrive at the venue already pretty nervous and wait for my turn. Beyond the doors at the back of the shop, I can hear muffled screams from the group before me which doesn’t exactly help settle my nerves: I begin to wonder why I’m doing it alone and then remember that this anticipation and fear is exactly why I’m sat here like a goon in a retail unit in a shopping centre with everyone staring at me through the window. The screen next to me quickly changes from the The Seance clip to the oh so famous Hide and Shriek introduction video (which is a thing of beauty in itself). The video finishes, the doors to the left of the screen open, and I’m led into the pitch black corridor awaiting me.

We come to a stop in front of the doors and in this inky darkness, it becomes incredibly clear just how alone this brave it alone experience will be. I repeat the escape word and head onto the set (this is honestly the only way I can describe it). I enter the house and take a seat at the table in front of the only playing card on the table. I really and truly am on my own from here on out.

A radio fizzles to life to the left of me and an all to familiar voice starts talking, explaining that the house is haunted and really setting the scene. At this point in time, I was truly tense: I kept finding myself talking to nobody, shuffling about, and trying to make light of the situation, but that doesn’t mean anything when there’s nobody about to react to the jokes – if anything, it only made it worse and I had completely forgotten that this was just an attraction put on by some friends.

What happened over the course of the next half hour was very much the same as the first round, though the beauty of the Seance is that you can sit in any one of those seats and get an entirely different show each time, and sitting at the head of the table with the open doorway behind you really really starts playing on your paranoia – at least the last time I did it, my back was to a wall! Whilst most of the effects remained the same in this run, there were a few extra additions that I really was not expecting, one of which actually managed to get a scream out of me, and it’s been a long time coming!

The Seance in a group is a good show in itself, but being alone in that pitch black living room with things bumping around you really does add a new layer to it and, whilst what I got was tense and jumpy, I’ve been told that come October they’ll have a lot more in store for those brave enough to enter! I very much look forward in returning to the house for a third time and seeing how it has developed since!

02/09/2017 – Hide And Shriek: The Seance Brave it Alone (Preview)

17/06/2017 – Hide and Shriek: The Seance

A few month’s after Hide and Shriek’s last endeavor Delectably Dead, I found myself in Southend once again for their brand new show titled The Seance. Based on a true story, a group of up to six hauntees (that’s you, dear reader) enter a rotting old house to take part in a private seance in order to unravel the house’s dark and mysterious past, and, hopefully, survive!

Having done a few seance themed haunts previously, I was intrigued to see how Hide and Shriek would explore this serious genre whilst still keeping their trademarked humour in tact; however, bar the pre-show briefing video (spot on as always!), they’ve completely abandoned their humour for this show and by amazing use of lighting, sound, and incredibly detailed scenery, created the unnerving and tense atmosphere you’d expect when trying to contact someone from beyond the grave.

We follow the instructions given to us before entering the show room and take our designated seats at the table, the tension already getting to us, and wait. A radio fizzles to life and a voice explains that we’ll be performing the seance ourselves with his direction. A medium was chosen, and the seance began…

What happened over the next half hour was something I’m having trouble describing. It was incredibly intense, unnerving, and extremely immersive to the point where even I was worried of what was behind the locked door! The absolute beauty of this haunt is that you feel isolated from the real world and completely vulnerable, even though you’re just sat at a table – here were definitely times where I’m sure there was more than just us two in the room. Another incredible thing is, even though you might be in a group of 6, everyone will have their own “version” of events, as the special effects are everywhere in the room!

For a company that has only been around for 18 months, Hide and Shriek have really pulled something special out of the bag with The Seance and are well and truly paving the way for experimenting with new ideas and new attractions, and I look forward to following and supporting them wherever they go. For the established producers out there: be worried, these guys are about to get huge!

17/06/2017 – Hide and Shriek: The Seance

20/11/2016 – 139 Copeland Road

Before I begin, I’d like to apologise to anyone that’s been anticipating this review, especially the cast of 139 Copeland Road: I was seriously ill for the event and just about managed to drag myself along, and since I’ve literally not had the energy to get round to writing this up.

 

Anywho, on with the review!

 

After the sheer intensity of Séance in Birmingham a few weeks earlier, 139 Copeland Road suddenly appeared on my Facebook feed, and with only a small number of likes and a rather captive backstory, I knew I had to go to it one way or another. I spoke with a few friends and managed to get tickets for the same show as my friend from Europehaunts, who frequently flies to the UK to experience the shows here. With much excitement, we counted down the days until the show.

 

As I explained above, a few days before I had a flare up (I’ve suffered from Crohn’s disease since 2014, and it’s rare for me to admit it so publicly but I very much have reason to), which included intense stomach cramps that are unbearably painful, which almost made me give up my ticket; however, I didn’t: I got dressed (readas: put clothes over my pyjamas) and headed off to 139 Copeland Road.

 

I got to Hackney Wick station and punched in the postcode on my phone, and began following the instructions, half forcing myself to just go and get it over and done with. After getting lost despite being stood right outside the venue, I bumped into the guy from Europehaunts who seemed to have his head screwed on more than me as he instantly saw the venue: a derelict house.

 

We approached 137 Copeland Road, showed our tickets, and were let inside, where we were greeted by the sights of a completely gutted house, an absolute skeleton of what we’d consider a building. Music wafted through the air while floodlights splashed light across the walls, which were decorated with newspaper articles, pictures, police enquiries, and all sorts of information about seances and the family that lived there.

An eccentric man dressed as if he had stepped out of a steampunk fantasy novel explained the story of 139 Copeland Road: Mary, a single mother of two, had been living at 139 Copeland Road. She had been a school teacher, a much loved figure in the community. One night in 1974 however, a house fire led to Mary and her two boys burning to their deaths. The bodies were never recovered. Since then, the house has stood empty, partly due to the derelict state, but even more so because of the rumours. The sightings.

As soon as he wrapped up the story we were led into 139 Copeland Road, which was just as derelict, if not moreso, than the building we had just come from, and even upon entering there was something not quite right about the house. We were invited to take a seat at a table that had a lightbulb dangling from the rafters above, dimly lighting what felt like would have been the living room before the fire, whilst the Medium set up the seance with an offering of food, candles, and a picture of Mary, whom we were trying to contact. The light dangling above the table was turned off, leaving us bathed in the light of the three candles. We all joined hands, and the seance began.

Over the course of the next half hour, all of us at the show were completely encapsulated in the seance; lights would flicker, objects would vibrate and shake, and even though at a subconscious level I knew it was fake, I could have sworn there was someone stood directly behind me, staring at the back of my neck – something that Europehaunts also felt.

We found ourselves rushing around this decrepit house, our paths lit only by two of the smallest and dimmest torches ever, as we try to unravel the secrets that 139 Copeland Road held: we soon learned that the fire was no accident, and there was something much darker and sinister lurking in the shadows.

Though that entity sure wasn’t the only thing to be hidden in the shadows: there were points where we were plunged into pitch black, huddled in a corner as all sorts of noises rattled around us, making everyone feel claustrophobic. In one room, we were stood with a faint ticking noise that grew louder and louder from the loft, which became more and more consuming the louder it got – the ticking was the most intense and attention grabbing noise I’ve ever heard in my life, then it stopped. We all stood there in absolute silence, waiting.

As the show drew to a close, the experience became more intense still, as the guy who set the scene ended up disappearing in front of our very eyes, and we were chased out of the building by a roar that somehow chased us all down the stairs: the finale, an absolutely mindblowing scene that used the chaos as a perfect cover to transport items from where we were to the sinister entity more than 10 feet away from us, which was incredibly impressive. We were soon chased out of 139 Copeland Road and onto the streets, where we all took a moment to sigh and decompress before laughing at how immersed and scared we all were.

 

Well, what can I say? This has to be one of the best pieces of immersive theatre I’ve ever experienced – I don’t usually get sucked into a story within 10 minutes of the show starting but this got me perfectly – I even forgot that I was in pain for the entire show, which is absolutely incredible!

Despite there being only a handful of actors, each one played their parts perfectly – the Medium did a fantastic job of acting exactly like Mediums do on Most Haunted and the like, the guy that set the scene was really easy to listen to and believe, and the plant that I suspected was a plant at the beginning actually had me fooled once the seance began, and the sinister entity used the strobes perfectly to seemingly glide across the room at numerous moments in the event (though a black zentai suit would have been a bit creepier).

Considering the only effects that were used were flickering lights and speakers (probably triggered from 137 Copeland Road), the company behind the show were able to quickly and effectively suspend reality and create an entire world within the walls of that house. I’m glad that I forced myself to go despite being ill, as I know I wouldn’t have forgiven myself for not going.

One eensy-weensy criticism was that the speakers in the bedroom and living room were easily visible (if you knew where you were looking) and the two strobelights used at the end could have been moved so that they were hidden behind the beam where the dividing wall was (can’t explain it any better unfortunately – sorry!).

I look forward to hopefully seeing more from the creators of 139 Copeland Road, as they are definitely hitting the nail on the head when it comes to immersive theatre.

 

20/11/2016 – 139 Copeland Road

19/10/2016 – Séance at Birmingham Rep

For a while, I struggled to find something horror related to do as all the haunts we knew of were closed or not operating that day, but that changed when I was given a bit of information about an immersive short called “Séance”. I love the paranormal as a theme, but it’s extremely hard to get it right, especially when you’re running a live actor haunt and all your “ghosts” are, well, alive and breathing. Séance, however, did not have that problem.

As soon as we arrived, we were led to a shipping container placed just outside the main building which amused us as we were expecting a haunt of somesort. We took our seats around the table placed in the middle of the shipping container and put our headsets on, and the journey began…

Using 3D surround sound, you are taken on an immersive and chilling journey into the spirit world and into the depths of your own imagination, where nothing is quite what it seems…

19/10/2016 – Séance at Birmingham Rep