28/04/2018 – Ghoulies Haunted House: Ghoulies X

For the first time at Scareflix and Thrill, this review is a collaboration from James, Frankie, and Liam.

After learning about Ghoulies Haunted House from the recent SCAR award announcements, we decided to trek all the way up to Liverpool to experience Ghoulies X, an extreme haunt that features state-of-the-art animatronics, masks, costumes, live actors, and special effects – we simply couldn’t refuse the sound of this!

On the way to the attraction we soon began to question our nerves despite having done other extreme attractions in the past – we just couldn’t (and still can’t) figure out why we were so scared, but there was something about Ghoulies X and the Facebook advertisements that managed to rattle us to the point of considering a refund as we got closer and closer to the attraction, and our doom.

After some reassurance and peer pressure from everyone, we all gritted our teeth and signed the waiver. We stood in front of the famous Black Gate waiting to be let in, only to hear a gravelly voice yelling out to be fed from beyond. The gate opened and we all took in a deep breath before reluctantly stepping into the first corridor, which set out the haunt’s plot perfectly as we navigated our way through. We approached the red door – our door – and pause, grimacing to each other before I pushed the handle down and opened the door.

As soon as we enter through the door, the experience began: we instantly met two of the characters who had absolutely no issue invading our personal space and ensuring we’re as uncomfortable as we can be. After a rather brief introduction (most of which was missed by James as he was too busy being harassed by ghouls within the wall), we were selected and roughly moved from room to room, separated but still as a group to be tormented; the attraction was taken to the next level when the ghouls broke the fourth wall by addressing us all by name!

Soon enough, chaos broke out around us and we were soon screaming in shock and crying with laughter as we passed through what can only be described as an unnerving acid trip from hell: the actors engaged in strange conversations with us about famous murderers as Frankie was wearing a t-shirt from the Museum of Death in LA, all while Liam was being tormented by the dentist and I was being freaked out by the clown! The engagement with the characters is unmatched – we counted maybe 5 characters in total, though it definitely felt like a lot more than that as the actors were able to jump a scene in order to get ahead of us without us even noticing they had vanished!

After passing some really impressive animatronics that had us yelling loudly, we enter an extremely intense finale that had the safe phrase on everyone’s tongues. Soon enough, it finished: we were pointed toward a double door and climbed the staircase with the biggest grins on our faces, as we enter the Ghoulies bar, which is almost a haunt in its own right!

Ghoulies X is a missing valuable link in the extreme haunt industry: the sets are very basic, but it’s not the sets you’re really paying attention to: it’s the actors, all of whom use the right amount of aggression and force when interacting and moving you about. It’s clear that everyone involved in the attraction is passionate about horror and haunts as each character had their own personality and they all really played up to their character when we were in their scene while the other characters took a slightly more passive role. Alongside this, each dialogue felt absolutely genuine from all the characters and it felt like you were able to respond to questions and make comments and the like – James was (jokingly) offered candy floss and cocoa as he waited for his turn in the finale!

Ghoulies X is the most aggressively funny extreme haunt that assaults all your senses in many different ways, which will leave you screaming in both fear, laughter, and sometimes both! We dare you to take on the ghouls hiding in Ghoulies Haunted House!

We’d like to say a mega thanks to John, the creator and owner of Ghoulies Haunted House for coming out at the end of the night to chat with us – it was a pleasure to get to chat to you! We look forward to bumping into you again soon!

This slideshow requires JavaScript.

28/04/2018 – Ghoulies Haunted House: Ghoulies X

08/03/2018 – The Tom Sawyer Effect: The Pendulum

Located in the tunnels beneath Waterloo train station in central London, The Vault Festival puts on a series of shows and immersive experiences that spread far and wide across all mediums and genres; this year, one stood out in particular: The Pendulum by The Tom Sawyer Effect. Billed as “a hyper reality horror experience blending virtual reality with immersive theatre”, there was no way I could turn this down – even if I am a sceptic of virtual reality.

It’s time for me to experience The Pendulum. I arrive in the tunnels and am greeted by the usual hustle and bustle of the underpass: a mix of people hanging about outside The Vault itself, street jugglers, professional photographers, and graffiti artists litter the tunnel, creating create this electricity that buzzes through the air but always seemed to be dampened as if it’s only for the select few in the area.

An usher arrives and asks if I’m here for The Pendulum – “Yes” – “Follow me”. We walk down the tunnel and away from the main hub of the festival in complete silence despite my best attempts at striking up a conversation, which unsettled me a bit. We approach a completely unassuming door right at the end of the tunnel and I’m ushered into the blackness, where someone is sat at a table with a sizeable waiver and a pen. I’m asked to read the waiver and backstory and sign on the line, and I do. I’m then handed a red boiler suit and am instructed to put it on and take a seat on the chair off to the side. The usher approaches and covers my head with a cloth, and the experience begins.

What happens over the course of the next 20 minutes is difficult to put into words, but there’s no hyperbole in synopsis: from the moment I was guided from my seat into the 5 metre by 5 metre room where the one-on-one experience is held, I was completely immersed in their universe. Sure I didn’t think that I was this super hacker the interrogator was talking about, but that’s not the point: the actor had me eating out of the palm of his hand for the entire show; not only that, but the way in which the virtual reality was used wasn’t jarring at all as it has been in other attractions – it had a legitimate reason for being used.

Despite me erring on the side of caution with regards to virtual reality (never work with computers, animals or kids in show biz!) and having unfortunately experienced tech failures during haunts that rely heavily on it, I was very much expecting it to be dreadful: I was proven wrong, and man am I happy about that! I don’t want to go into too much detail as there’s a lot that you need to experience for yourself, but the most bizarre and jarring (in a positive manner) thing was that the room went from being 5 metre square to a tunnel that looks about 10 metres deep and 50 metres wide.

 

The Pendulum is a truly impressive piece of theatre that is quick to immerse you in its universe and make you question what you perceive as reality, from the story through to the actors to the technology used, it is a real pleasure to see and experience something of this calibre – well done to absolutely everyone involved!

08/03/2018 – The Tom Sawyer Effect: The Pendulum

14/10/2017 – Faceless Ventures: Diary of a Deceased

A dead body. A diary with all but four pages ripped out. This is the fractured story of John Doe and his encounters with monsters and noises in the dark.

We descend the stairs to the morgue silently, as instructed. A nurse stands to greet us silently as a heavy atmosphere descends around us: in her hand is the Diary. In a melancholic and calm tone, she begins to explain how John Doe and his diary came into her care. She opens the diary to the first undamaged page and begins reading.

We are instantly transported back to John’s childhood, led by his former self. We hide in a den and play a game of Noughts and Crosses; a safe space, the child explains, from the things outside. We relive his night time routine, then it goes dark. Do you hear noises in the dark? We do. They get closer and closer. We escape.

Back in the morgue. We meet John’s love interest; they met in America where she was studying at the time. We enter a room with American flag and bunting, a shadow facing a huge American flag as The Last Post plays. She told us how she didn’t believe him when he told her about the noises, but that all changed. A speech begins to play, growing in volume; the American anthem joining the aural intrusion. Nightmarish creatures appear from the darkness, creeping around, tormenting us, disembodied by flashing lights that allowed them to move unnaturally. The shadow facing the flag leaves the room, and everything returns to normal. What is normal anyway?

We’re back in the morgue. We’re told to follow the voice as a hauntingly beautiful and overwhelming rendition of My Immortal wafts through the air. We follow the voice: in front of us, John sits, arms upturned to show his bloodied and slashed wrists: an unknown figure looms over him, singing his swansong, mourning. In death, his childhood and love are returned to his past: the only gift left to give is death, which was given to us.

Up the stairs and back to reality. Is this the end, or merely the beginning?

 

22528286_513645705636725_8982613136062561773_n

Diary of a Deceased has truly left me stuck for words: I know for a fact that what I experienced could never be transposed into words: it was intense, haunting, and utterly beautiful!

What sets this apart from other haunts/attractions is that it relies heavily on the narrative and the actors ability to set the atmosphere in each scene, which they all did perfectly! From the whimsical and lighthearted atmosphere when visiting his childhood and playing games through to the melancholy of his relationship, through to the soul crushing end of John Doe, it was impossible to not get sucked in!

The one tiny piece of criticism I have is the haunt ending – I loved what it was trying to portray, and it portayed it well; however, some more effects such as a wind machine and strobes would further push the idea.

Despite the one little teeny-tiny improvement I could think of (and that’s all it is), this production definitely set the bar high for future immersive theatre, as people were moved to tears in the 30 minutes the show lasted. I cannot wait to see where this goes, if it goes anywhere: as a singular story it is perfect, but as I somberly climbed the stairs leading away from the morgue, I was definitely craving more! Well done to everyone involved!

14/10/2017 – Faceless Ventures: Diary of a Deceased

08/10/2017 – Alton Towers: Scarefest

I’ve been a huge fan of Alton Towers’ Scarefest since I first went a few years back when The Sanctuary was still running – the set, story, and effects really dragged me into the experience and whilst it wasn’t inherently scary, it really had the atmosphere and creepiness necessary for a haunt to work for me: since then I’ve always made an effort to trek up to Stoke-On-Trent to drop in, and with Alton Towers boasting a brand new haunt as a pre-cursor to SW8, it would have been rude to not drop by this year!

 

Upon arrival, it was clear that Alton had really gone all out again: all signs had Scarefest branded signs, Main Street had been decked out with pumpkins, hearses, a huge Scarefest sign, and their signature children’s show characters performing on a stage right at the base.

 

Our first haunt, or rather, attraction, was House of Monsters. I’ve deliberately not called it a haunt as it is so much more than that: it’s immersive theatre, pantomime, escape room, magic show, and haunt all rolled into one – it’s easy to see why House of Monsters got such rave reviews from others last year! The characters are extremely engrossing and animated, making puns and (intended or not) double entendres throughout that had us absolutely doubled over at points! As you make your way through the attraction, you interact greatly with the characters who get you to do one or two tasks in order to get you to escape, which ends up in a fun little haunt with some scares that we really weren’t expecting (and definitely made all of us jump!); don’t worry though, it’s not an intense scare – the haunt part is very comical and very Scooby-Doo in nature (if you imagine Shaggy and Scooby being chased about by the bad guys in and out of rooms in corridors). I absolutely loved this attraction, so much that we bought an extra ticket and went through again! It’s definitely not the scariest attraction at Alton, but it definitely surpassed my expectations!

 

Our first haunt at Scarefest was Sub Species: The End Games. I thoroughly enjoyed myself in this last year, so I was excited to get back down into the labyrinthine haunt hidden deep in the basement of the towers. It very much started out the same as last year with a creepy introduction swiftly followed by actors grabbing you and dragging you through the maze; unfortunately, this year didn’t seem as chaotic as I remember it – it felt like there was a lack of actors in the labyrinth which definitely detracted from the chaos (but make no mistake, it was still insanity trying to find the exit without an actor pushing you in the right direction). Once you’re through the labyrinth, you’re treated to some incredible scenery and a corridor that’s pitch black before finally being chased out the exit. Still a strong haunt despite the lack of actors.

 

Our second haunt was Terror of the Towers, a gothic vampire haunt that snakes its way through the towers themselves. Whilst not the strongest attraction for scares, it definitely leaves its mark with theming, use of smells, and creepy actors: the strongest element was the strobe maze, as there were a number of lights working with each other to disorientate you as much as possible; having said that, the haunt requires everyone to go in a conga line and all the scares seem to happen to the front of the queue – I’d love to see the conga line scrapped seeing as it’s the least intense haunt at Scarefest and the only haunt there to actually implement it. Definitely a good introduction to haunts if you’ve not been to one before.

 

Our third haunt is Altonville Mine Tours which has received a more memorable name than last year, though it’s still very much the same attraction, albeit with an extra added scene. Out of all the “adult” haunts at Scarefest, this was definitely my favourite: everything had improved since last year and the run at ScareCon! The helmet this year had much better effects programmed into it, making some parts much more intense as the light bouncing off the fog really limited how much vision you actually got. Alongside this, the incredible detail to the theming both visually and aurally complimented each other perfectly to create an unpleasant atmosphere at times. The actors themselves were on top form too, as some jibbered on about nothing, whilst others said things to you early on in the haunt and actually remembered what they said when you met them again later! Another brilliant thing the actors did is completely invade your personal space to add to the creepiness that resides within. Unfortunately, I’m still not entirely sold on the finale: it’s a clever twist and I can appreciate that, but there’s nothing grand to it that says “this is the finale” and leads you on to think that there’s still more to come, when you actually find yourself outside. Definitely my favourite haunt at Alton Towers this year.

 

Our fourth and final haunt was the anticipated The Welcoming: Be Chosen. We had our tickets booked for as late as we could reasonably do before we travelled home at stupid o’clock, so it was nice and dark when we went through (for those that don’t know, it’s an outside attraction which means natural lighting may or may not affect the experience). All I can say is: wow! Whilst at an intensity level of maybe a smidge above Terror of the Towers, the theming is just incredible. From the moment you step into the haunt, you’re transported to a medieval celebration of Halloween, where paganistic characters dance and swoop as they celebrate: I loved the scarecrow beings (for want of a better description) and the person that dropped to the floor and started inscribing runes onto the ground in front of us, partially blocking the way – a great touch to add to the creepiness! I wasn’t a big fan of the hooded section as I’m not entirely sure what they were trying to portray here and the finale, however everything else felt like walking through a cinematic piece – definitely worth doing once it gets dark!

 

Alongside these attractions, there was also the Freak Show scarezone, which was rife with creepy takes on the classic circus shows (ringmaster, bearded lady, strong man, etc), all of whom use the billowing clouds of smoke to their complete advantage to hide and scare unsuspecting victims – definitely a great laugh when you’re making your way through!

 

Alton Towers have created another fantastic Scarefest, despite the few gripes I had with the attractions – I’m definitely glad that we added it to our lineup this year, and I’ve no doubt I’ll be back again next year!

 

This slideshow requires JavaScript.

 

08/10/2017 – Alton Towers: Scarefest