10/02/2017 – Valenterror

The Christmas period sucks for haunters. Sure, I did Zombie Infection at the beginning of December (though apologies for no official review, was feeling burnt out after the Halloween season) but that was still over 2 months ago, so I was super excited when a group of friends said they were up for Valenterror at Scare Kingdom!

Scare Kingdom is one of my staple haunting grounds (ha): the scenery is fantastic, it’s set far away from everywhere else which adds to the creepiness, and there’s not been one haunt there that I’ve thought negatively of, so when the opportunity arises I’ll be there in a heartbeat (haha, goddamn these puns).

Anyways, this visit was for their Valentines event, aptly named Valenterror (see where the pun went yet?). Manormortis opened its doors for one weekend for brave couples to enter the haunted manor armed with just one lone glowstick and face the zombies that hide inside.

Upon arriving outside Manormortis we were met by Dougie, the resident grave digger, who explained to us that he was just digging up bits of bodies to sell on a popular well known auction site, when all of a sudden the bodies started moving about on their own and that they had all been trapped in Manormortis: he also pointed out that one of us would be entering alone.

We enter the attraction and I get handed a glowstick – my friends decided to throw me under the bus and give me the satisfaction of going through the haunt alone (won’t lie, it was absolutely *great!*). I ducked through the fireplace and started my slow and winding journey through the pitch black corridors with a glowstick that did absolutely nothing to light my way, though the zombies had no problem finding me: I was charged at, had zombies appear in front of me from nowhere, and slowly stalked from behind – these zombies knew exactly how to work the darkness and their little lights to create some fantastic jump scares and illusions that’d give everyone the heebie-jeebies, including myself!

Travelling through a haunt alone is really bizarre – I usually use other people as a source of distraction from anything that might make me jump, but I couldn’t depend on that this time, and there were a few scenes, one including a painting, that caught me by surprise even though I had seen them all in action the previous times I had been through!

We, or rather, I, finally made it to the end scene (which hadn’t changed since Halloween), and anyone that knows about it knows what to expect; let me say it is a completely different ball game when you’re on your own and getting some lovely one on one time – it’s been a long time since a boo haunt made me nervous, and that actor really hit the nail on the head.

As quickly as it started, it was over, which was a shame because it was great to be able to walk around a haunt on your own and get all these personal interactions with nobody else around, especially in a haunt as special as Manormortis, which I feel is a side effect of the lack of lighting as there’s so much to see in there when everything’s lit up – there were definitely scenes that really fell short due to the lack of lighting, though the corridor of wine bottles was actually much, much more claustrophobic with the lack of lighting and being alone. If I had to choose a favourite scene, it was either the wine cellar or the tunnel after the boiler where I was charged at by a zombie.

All in all, I definitely had fun and enjoyed myself, even though there were a few negative comments, not that you could really do much about them – long haunts with short through-puts are few and far between and aren’t too popular, and glowsticks never have and never will be a fantastic torch, but I’m glad I managed to experience my first glowstick lit haunt, and to get the 2017 season started!

10/02/2017 – Valenterror

20/11/2016 – 139 Copeland Road

Before I begin, I’d like to apologise to anyone that’s been anticipating this review, especially the cast of 139 Copeland Road: I was seriously ill for the event and just about managed to drag myself along, and since I’ve literally not had the energy to get round to writing this up.

 

Anywho, on with the review!

 

After the sheer intensity of Séance in Birmingham a few weeks earlier, 139 Copeland Road suddenly appeared on my Facebook feed, and with only a small number of likes and a rather captive backstory, I knew I had to go to it one way or another. I spoke with a few friends and managed to get tickets for the same show as my friend from Europehaunts, who frequently flies to the UK to experience the shows here. With much excitement, we counted down the days until the show.

 

As I explained above, a few days before I had a flare up (I’ve suffered from Crohn’s disease since 2014, and it’s rare for me to admit it so publicly but I very much have reason to), which included intense stomach cramps that are unbearably painful, which almost made me give up my ticket; however, I didn’t: I got dressed (readas: put clothes over my pyjamas) and headed off to 139 Copeland Road.

 

I got to Hackney Wick station and punched in the postcode on my phone, and began following the instructions, half forcing myself to just go and get it over and done with. After getting lost despite being stood right outside the venue, I bumped into the guy from Europehaunts who seemed to have his head screwed on more than me as he instantly saw the venue: a derelict house.

 

We approached 137 Copeland Road, showed our tickets, and were let inside, where we were greeted by the sights of a completely gutted house, an absolute skeleton of what we’d consider a building. Music wafted through the air while floodlights splashed light across the walls, which were decorated with newspaper articles, pictures, police enquiries, and all sorts of information about seances and the family that lived there.

An eccentric man dressed as if he had stepped out of a steampunk fantasy novel explained the story of 139 Copeland Road: Mary, a single mother of two, had been living at 139 Copeland Road. She had been a school teacher, a much loved figure in the community. One night in 1974 however, a house fire led to Mary and her two boys burning to their deaths. The bodies were never recovered. Since then, the house has stood empty, partly due to the derelict state, but even more so because of the rumours. The sightings.

As soon as he wrapped up the story we were led into 139 Copeland Road, which was just as derelict, if not moreso, than the building we had just come from, and even upon entering there was something not quite right about the house. We were invited to take a seat at a table that had a lightbulb dangling from the rafters above, dimly lighting what felt like would have been the living room before the fire, whilst the Medium set up the seance with an offering of food, candles, and a picture of Mary, whom we were trying to contact. The light dangling above the table was turned off, leaving us bathed in the light of the three candles. We all joined hands, and the seance began.

Over the course of the next half hour, all of us at the show were completely encapsulated in the seance; lights would flicker, objects would vibrate and shake, and even though at a subconscious level I knew it was fake, I could have sworn there was someone stood directly behind me, staring at the back of my neck – something that Europehaunts also felt.

We found ourselves rushing around this decrepit house, our paths lit only by two of the smallest and dimmest torches ever, as we try to unravel the secrets that 139 Copeland Road held: we soon learned that the fire was no accident, and there was something much darker and sinister lurking in the shadows.

Though that entity sure wasn’t the only thing to be hidden in the shadows: there were points where we were plunged into pitch black, huddled in a corner as all sorts of noises rattled around us, making everyone feel claustrophobic. In one room, we were stood with a faint ticking noise that grew louder and louder from the loft, which became more and more consuming the louder it got – the ticking was the most intense and attention grabbing noise I’ve ever heard in my life, then it stopped. We all stood there in absolute silence, waiting.

As the show drew to a close, the experience became more intense still, as the guy who set the scene ended up disappearing in front of our very eyes, and we were chased out of the building by a roar that somehow chased us all down the stairs: the finale, an absolutely mindblowing scene that used the chaos as a perfect cover to transport items from where we were to the sinister entity more than 10 feet away from us, which was incredibly impressive. We were soon chased out of 139 Copeland Road and onto the streets, where we all took a moment to sigh and decompress before laughing at how immersed and scared we all were.

 

Well, what can I say? This has to be one of the best pieces of immersive theatre I’ve ever experienced – I don’t usually get sucked into a story within 10 minutes of the show starting but this got me perfectly – I even forgot that I was in pain for the entire show, which is absolutely incredible!

Despite there being only a handful of actors, each one played their parts perfectly – the Medium did a fantastic job of acting exactly like Mediums do on Most Haunted and the like, the guy that set the scene was really easy to listen to and believe, and the plant that I suspected was a plant at the beginning actually had me fooled once the seance began, and the sinister entity used the strobes perfectly to seemingly glide across the room at numerous moments in the event (though a black zentai suit would have been a bit creepier).

Considering the only effects that were used were flickering lights and speakers (probably triggered from 137 Copeland Road), the company behind the show were able to quickly and effectively suspend reality and create an entire world within the walls of that house. I’m glad that I forced myself to go despite being ill, as I know I wouldn’t have forgiven myself for not going.

One eensy-weensy criticism was that the speakers in the bedroom and living room were easily visible (if you knew where you were looking) and the two strobelights used at the end could have been moved so that they were hidden behind the beam where the dividing wall was (can’t explain it any better unfortunately – sorry!).

I look forward to hopefully seeing more from the creators of 139 Copeland Road, as they are definitely hitting the nail on the head when it comes to immersive theatre.

 

20/11/2016 – 139 Copeland Road

26/10/2016 – Tulleys Shocktober Fest Scream Park

After getting my mojo back from Alton Towers earlier in the week and after hearing all the positive reviews from other haunters, we hit the road once again and made our way to Tulleys for their Shocktober Fest.

We collected our tickets and entered the scream park and were instantly blown away with what they had: 8 individual haunts (which I’ll get onto in a minute), 3 fairground rides, sideshow stalls, 2 stages, lots of food and drink outlets, and shops galore – it legitimately felt like we had entered a Halloween festival, and it was BEAUTIFUL.

We spent a little time wandering round, taking everything in and generally exploring before we hit our first haunt of the night: Hell-ements.

 

Hell-ements

Despite not enjoying hooded haunts, this has got to be the strongest one I’ve done to date. A brief video introduction to set the scene, we don our hoods and take hold of the rope, and I seem to stampede ahead in front of the group in this twisting and turning haunt without realising! Exploring the four elements (earth, water, air, and fire), everyone who steps inside has their wits and mettle challenged. As far as hooded mazes go, there was a lot that made me uncomfortable, including one actor that decided to remove my hand from the rope! An absolutely fantastic hooded haunt that really went on for a very long time, even if parts of it were ruined slightly by how light it was still – my bad for being so eager!

 

 

Creepy Cottage

Living up to its name, the Creepy Cottage was the second haunt we visited. This is definitely a haunt to visit early on in the evening as it’s all completely indoors and, if the queue is short, you’ll get to go through in a small group (which makes haunts that bit better). With loads of automated effects and a few live actors, we had a scream trekking through the cottage with scenes that flowed together so smoothly it was easy to believe that you really were in a cottage.

 

The Cellar

Without much story, it felt like we were transported to an abandoned house in the middle of a bayou in Louisiana or another similar state. With lots of claustrophobic elements and things dangling from the ceiling obscuring your vision, this dark and twisted haunt had lots of jump scares at the front of the conga line, with the actors being creepier the further back you were positioned which worked fairly well as the monsters lurking within were highly unsettling. This was an absolute treat for all the senses.

 

Pan-DEMON-ium’s 3D Carnival

Another haunt that’s completely indoors, this maze is like experiencing an acid trip on steroids! Themed around a carnival (hence the name), guests meet a number of creepy side show hosts before being told about the evil that awaits us further inside still. We don the 3D glasses and everything starts popping off the walls, confusing your brain and distracting you from all the horrors that use the darkness to their advantage! Whilst this was the best clown attraction I’ve experienced on my tour, it still felt like it lacked actors at points (especially in the first half of the haunt), but the clowns inside definitely make up for it. I also liked that we were permitted to go through in our own small group as nobody seemed to realise there was a haunt there. Shout out to the host that laughed as we reeled off the briefing before entering!

 

The Colony

After seeing some rather interesting themes this Halloween season, I was absolutely ecstatic to find this post-apocalyptic themed haunt hidden away! Whilst it’s almost impossible to choose a favourite haunt from Tulleys (and in general), The Colony just about steals it due to the theming. Feeling like you had entered a Psycho’s den in Borderlands, this humongous haunt uses both outside and inside areas to immerse you in the apocalypse, with bonfires and such dotted around to distract you; one of my favourite bits was the pitch black corridor with the lone actor standing at the end – that was visually stunning and very unnerving! The costumes and acting was incredible with a mixture of creep and jump scares, and the ending was absolutely phenomenal and a unique twist on the chainsaw. Bravo to the actor that was in there!

 

The Horrorwood Hayride

Based on a backstage tour of a movie studio, this hayride takes you through all sorts of hellish scenes that are not only legitimately jumpy, but are incredibly clever with how they’re executed! A speaker narrates a story as you pass from scene to scene, interacting with a wide range of characters, props, and special effects: possibly the best thing about this haunt is it doesn’t need to be night for it to be effective – I’d definitely consider doing this as the first haunt.

After an unsuccessful hay ride at the beginning of our trip I was kinda skeptical about this one, having both high and low hopes for it: needless to say, this rekindled my faith in hayrides and really think they are a strong and interesting way to scare!

 

Coven of 13

With a witch theme, this haunt is extremely clever in the way it uses lighting and smoke to create an illusion that can’t be described in text – you seriously have to go through the haunt to understand what I’m saying! After such a strong introduction to the haunt, I found it hard to see where they could go next; however, after attending a spellcasting and entering the home of the damned, the finale absolutely blew me away!

 

The Chop Shop

the final haunt of our visit was a little trip through a hillbilly garage that seems to be doing more than just chopping and trading parts for automobiles…

With very little story at all, this haunt was a complete attack on the eyes and ears which was completely disorientating, so much so that I’m sure we went through the same scene a few times. As soon as it was over, I had to take a deep breath to calm myself down, it was so intense! Definitely a strong maze, but needed to be a little bit longer in my opinion to make you feel like it wasn’t going to end.

 

All in all, Tulleys Shocktober Fest Scream Park is definitely one of the most breath taking haunt attractions I’ve experienced to date, there was a number of times I found myself saying “this is absolutely incredible” at all the different things there was to see and do, the crowd and queue management, the entertainment on both stages, and all the sideshows themed to Halloween in some way. I will definitely be back next year to see how this attraction evolves!

On a final note, I would like to give a special mention to the two roaming zombie nurses we bumped into for their acting, they were absolutely hilarious! Thank you!

26/10/2016 – Tulleys Shocktober Fest Scream Park

24/10/2016 – Scarefest at Alton Towers

As we were driving by Stoke-On-Trent on the way back from our week of northern haunting, we decided to do a very quick 3 hour flying visit to Alton Towers seeing as there were so many positive reviews from friends: let me tell you that, straight off the bat, it was the best 3 hours I’ve had in the park.

 

Altonville Mine Tours: Uncover the Legend of the Skin Snatchers

With a rather long name (I’ll probably start referring to it as Skin Snatchers from now) that matches the length of the haunt, this sits where Molly Crowe was last year.

Upon entering the queue, western guitar slides and chords warble through the air in the queue. We got quite early tickets because the tickets we wanted weren’t available; damn our spontaneity (this is the reason why Terror of the Towers isn’t included in this review) and so the queue wasn’t very long, but the excitement and nervousness already began to build thanks to the high fencing, narrow queue, and flickering light bulbs in burnt out fixtures.

Our turn came and we were called forward. Three of the 10 of us received a helmet with a light fixture (sadly not me) and we were told to listen to the safety briefing by the creepy hillbilly handing out the helmets. Once this was over, we met his brother and our tour of the mines began…

With a very powerful storyline, you’re taken down into the depths of the Mines where the skin snatchers live, who take very little time in splitting you up and tormenting you throughout this 20 minute haunt.

Chaos literally rains down around you as sights, sounds and smells all intermingle with one another, with the skin snatchers taking full advantage of strobes, pitch black, and the boiler suit corridor to make you feel completely disorientated and uneasy from the moment you enter to the moment you leave. An incredibly strong attraction that rekindled my love for haunting once again!

 

Sub Species: The End Games

After surviving Sub Species: Operation Lockdown last year and missing out on the mazes due to arriving late, I finally managed to enter the labyrinth owned by the dwellers within, and I was not disappointed!

This incredible haunt is very fast paced and intense, and you will end up feeling completely lost and confused as the dwellers play with you, sending you down your own route through the first piece of the haunt, all of which was used in Operation Lockdown, but even surviving that didn’t help me navigate my way out!

Whilst not jump scary, the dwellers have absolutely no issue grabbing you and moving you about with reasonable force which I absolutely love in a haunt as it makes the whole experience a little more real, and it’s completely necessary for this haunt to be scary. After being chased out of the ending, I took a moment to stand there and just give a huge sigh of relief and reflect briefly on what happened. Definitely the stronger haunt in this review.

 

After blasting our way through the two haunts in 45 minutes or so, we also managed to get a ride on The Smiler and Nemesis, then decided to head home. A very short visit, but I was honestly blown away with how well Alton Towers had executed Scarefest from how easy it was to book our tickets through to how interactive and intimidating the actors were in the haunts, and how creepy the roaming actors were in the Forbidden Valley scare zone (can’t comment on the other scarezone(s) as we didn’t visit them): Scarefest is incredibly professional, and Thorpe Park definitely needs to ask these guys how to put on a halloween event, for sure!

 

One teeny-tiny gripe though: the scrapping of the extreme haunt run-throughs. I would have honestly leapt at the opportunity to do those! Bring them back next year? Please?

 

24/10/2016 – Scarefest at Alton Towers

22/10/2016 – Scare Kingdom

 

Voted UK Top Rated Scream Park for the last four years and my personal favourite from last year, the multi-award winning Scare Kingdom Scream Park is back once again for it’s eighth year of fear with a slew of new attractions!

 

Mallum

As always, Scare Kingdom welcomes all who dare enter with a spooky scene to set the tone, and they delivered once again! With a cursed relic, an ancient evil is summoned to scare you out of your skin! Whilst a fun idea, the green light from a light on the ceiling of the room took away the creepiness a bit, but the jump was still rather effective.

 

The Sickness

I love a good medical themed haunt, and I loved this. A very strong story to set the scene, then in we went to discover the dark and disturbing characters behind an underground experiment that saw an infection spread through a hospital like wildfire! With some extremely strong scenes including a much scarier scare used in The Sanctuary at Alton Towers, this is a very strong start to the haunts! Keep an ear out for the heart monitor as you go through, this was an incredible level of detail that is easily missed if you don’t know it’s there!

 

Manormortis

The haunted house to end all haunted houses is back once again! Tricked out to the nines, there is so much to see and take in that you can have multiple run throughs and still see things you didn’t see the first time! This year, a diary was discovered that details an extremely sinister story of the supernatural. With scenes that involve séances and other creepy contact with the spirits hidden in the manor, scares come at you from every which way as you hear more and more about the story as you venture further inside. Watch out for the finalé, it’s sure to scare you out of your wits!

 

The House of Gaunt

From the most decorated of all the haunts at Scare Kingdom to the least (not including Black Death, which I’ll explain later…), The House of Gaunt tells the story of a creepy collection of dolls coming to life. This sparsely decorated and almost pitch black haunts uses jump scares to get you, and even though the jumpscares are repeated all the way through the haunt, it gets you every time! It’s not got much to it, but it was still enjoyable and an interesting theme to have.

 

666 Brimstone Place

From creepy dolls to satanic cults, 666 Brimstone Place sees the return of Hell in 2015 with a new story; having said that, it still delivers an eerie vibe with some rather shocking and almost controversial imagery that we’ve only seen Scare Kingdom dare to deliver, and I loved it! Whilst the rest of the haunt seemed to lack something (maybe the strength of the last three haunts set the bar high), there were a number of scenes that were absolutely fantastic – I’m glad that the finale still remains in tact, as it’s still one of the strongest endings that Scare Kingdom provides

 

Black Death

Scare Kingdom bring their own hooded haunt this year: themed to the black plague, this haunt is littered with coughing and spluttering sick victims of the plague. I’ve never been a fan of hooded haunts as I don’t feel that being hooded adds anything to the experience, and even though it was a full contact haunt (whilst the others aren’t), it still had a lot of room for improvement – I was constantly worried I was going to tread on one of the actors or walk into the person in front of me, and avoiding that became my main focus, rather than being scared. Maybe I’m just picky; others going through were definitely scared, but I just couldn’t get immersed in the story.

 

Snuffhouse: Alone

After doing Snuffhouse: After Dark earlier this year, I half had an idea of what to expect, and after reading the disclaimer and watching people come out dripping wet, I decided to skip this attraction as it was cold enough without the water.

 

Overall, Scare Kingdom is an impressive attraction with some incredibly strong haunts and characters (shout out to Dougie and the drunk female wandering around the bar – sorry I didn’t get your name!) that really needs to be experienced at least once in your life, as everything is on point. I will definitely be back next year to see how Scare Kingdom evolves and attempts to trump another extremely strong year!

 

22/10/2016 – Scare Kingdom

22/10/2016 – Alice Through the Graveyard

Presented by Howick House of Terror, this haunt will blow you away. Seriously.

Invited by the people that run Home Haunt UK, we were given a quick walk through and “behind the scenes” tour of what will be an incredible home haunt once it’s finished.

Built around and inside the creators home, this haunt is completely made up of animatronics that were designed and created in-house, which is absolutely insane and blew my mind when we found out! One press of a button bought every scene to life, using smoke, lighting effects and all sorts of surprising animations!

Not only do they have animatronic scenes, they also have a pitch black maze that’ll be loaded with props and effects by the time the haunt was open – we visited at about 5pm and there were corridors that were close to being pitch black already, so that’s going to be absolutely incredible when that’s finished (and don’t worry, there’s an escape route for those that don’t want to enter as well).

Soon enough, you get to a very famous scene from Alice in Wonderland, with it’s own disturbed twist. I can’t rave and rant about how incredible this scene is purely because there’s so much going on all at the same time, and describing it wouldn’t be doing it any justice (the same could be said for the rest of the haunt too, actually).

This is honestly an amazing feat the creators have done, and honestly puts some of the bigger attractions I’ve recently reviewed to shame. If you’re in the area, it is definitely worth visiting over the Halloween weekend – I’m just sad I won’t be able to experience the finished product!

Please note: this haunt is free of charge to enter; however, any and all donations go straight to Cancer Research UK – a worthy cause in my opinion!

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22/10/2016 – Alice Through the Graveyard

21/10/2016 – Yorkshire Scare Grounds

After a quick re-shuffle of haunts due to timings (I really didn’t plan this tour at all…) I found that we had a date missing a haunt, so we decided to sneak this one in!

We were put in a group of 12 and were sent on our way through the scare grounds…

 

House of Arachnia – Mutation

The first haunt on the tour played on the fear of spiders. The character setting the scene was rather quiet and the voice he put on made it hard to understand what the story was, but I figured it had something to do with spiders taking over a house due to all the cobwebs everywhere.

It was a very basic haunt with few characters, most of which didn’t make sense whilst in there, but the bedroom scene has a really neat little trick that was kinda cool.

What was disappointing was that all the scares were aimed at the first person in the queue, meaning we got nothing right at the back and we started to get bored.

 

Forest of Freaks

As the name suggests, this theme was freaks in a forest. The forest itself was perfect for these clowns to run around without being seen, and they did that extremely well, but as with the haunt above, all the scares were aimed at the front of the queue. By this point we were so bored at the back that we started making the rest of the group jump to entertain ourselves.

 

The Chapter – Order of the Raven

With a sinister feel, I found this long-ish haunt rather interesting: we were constantly ducking between indoor and outdoor scenes but as with all the other haunts at this attraction, all the scares were aimed at the front of the group.

On a more positive note, the Raven’s costume was really impressive!

 

Lockdown – They’re Out!

This is where the haunts seemed to pick up a bit more.

Greeted by a soldier, we were given a nice long intro story to the haunt that set the tone. From actors that were hidden in plain sight through to the zombies banging on the fences as we went passed, it was a disorientating and complete sensory overload that had us on edge: we especially liked the use of water in this haunt as well! The only issue I had was the zombie wearing glasses: it just kinda broke the illusion a little.

 

The Tomb – Afterlife

This was, by far, the strongest haunt there. Themed around Ancient Egypt, we were led into a tomb that’s protected by a curse that comes to life as you progress through this clever and innovative haunt! The scenery throughout was incredibly detailed and at points it was impossible to tell the difference between a prop and an actor, which played to our disadvantage in the strobe maze! The tomb corridor was the highlight of the haunt and the attraction!

 

The attraction started off rather weak but definitely improved as you went through. If you do decide to go, try and work it so that you’re at the front of the conga line to get the most scares, and toward the back if you’re jumpy.

 

Also, definitely have a photo taken in their photo booth, and take a look around the gift shop – one of the actors draws as a hobby and was selling some pictures when we went through, and I got this amazing picture of an evil blue critter that I absolutely love!

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21/10/2016 – Yorkshire Scare Grounds