19/10/2017 – Dr Fright’s Halloween Nights

Walking into the marquees that hold Dr Fright’s Halloween Nights, the atmosphere was upbeat and lighthearted: the best nu metal and industrial tracks blare and disco lights and fog add a little atmosphere to the main tent, all while a creepy roaming character stalked everything, almost calculating who his next victim will be.

Our first attraction of the night is Dead Inside, a zombie themed haunts that takes scenes from a well known TV show that everyone should recognise as you go through. The safety briefing was done in character (albeit a bit too quietly – please turn the volume up!) and we were on our way through hanging sheets, past buildings, down dark corridors, and a strobe corridor that really feels like you’re being attacked! The actors really knew how to work their scene as each scare was perfectly timed (and managed to make me jump a few times!), and there were points where it was impossible to tell the difference between props and actors.

After being surprised by how good Dead Inside was, we decided to move onto Killer Clowns in a Supermarket as I wasn’t really buying into the concept to begin with: this changed as we joined the queue, as it was clearly meant to be a mixture of comedy and horror which was clear from the soundtrack playing in the queue. The horror/comedy blend continued as we found out that it was a bloody game of Supermarket Sweep where we had to escape from the killer clowns hidden within an actual shop, and it was an actual shop: we explored the food and clothing aisles, butchers counter, and even the staff area and bin section outside the shop as well! The choice of music mixed with the commentary from the clown now in control of the shop mixed together with the deranged clowns dotted about that leapt out from all over the place to scare you to create this bizarre juxtaposing atmosphere that shouldn’t have worked but really did – imagine the scene in Shaun of the Dead where the characters are battering zombies whilst Queen’s Don’t Stop Me Now is playing, and you’ve pretty much got the vibe of the attraction in a nutshell. This is honestly the strongest clown themed haunt I’ve done to date.

Having been incredibly impressed by the previous two haunts, we moved onto the two that I was really looking toward: Hollywood Horror 2 and The Grindhouse Presents: Redneck Wedding.

Hollywood Horror 2 is an incredible homage to the original slasher movies from the 80s and 90s: with b-movie level designs that are impressive even though they’re a bit rough around the edges, walking through each set started to feel like we were jumping from one movie set to another! The scares were very reliant on guests being impressed by the set/movie they had just entered, but that really added to the slasher vibe that’s perfectly portrayed throughout. As someone who grew up on the tail end of the slasher heyday, I really enjoyed how each of my favourite franchises had their homage done to it – very jumpy, but a great laugh.

 

Our final haunt, of course, was The Grindhouse Presents: Redneck Wedding. Themed around a redneck wedding, I instantly knew I had to do this one last. Like Killer Clowns in a Supermarket, The Grindhouse Presents: Redneck Wedding was a very tongue in cheek mix of comedy and horror with most of the characters being guests at a wedding, just more bloodied and with the odd psychopath here and there that really knows how to terrify you! The really peculiar thing about this haunt is that most of it is held in a large open space which means you get to see other groups quite a lot as you’re going through – usually this would be a bugbear, but as the entire attraction was a redneck disco, it made sense to see loads of people. The attraction is actually a lot longer than you expect to, as there are plenty of scenes that are completely cut off from the main “dancefloor” scene. The bit that really solidifies this as my favourite haunt at Dr Frights is when we entered the chainsaw pit: Come On Eileen had dropped into the “come one, Eileen tu lu, ri, ay” bit just as two psychos armed with huge wrenches and chainsaws came out from hiding behind two bales of hay, and it felt like we were about to have somesort of showdown. I can see this haunt being a bit like marmite as it’s clear from previous experiences that people either would or wouldn’t get the comedy aspect of it, but the Dr Frights team really encapsulate that blend which really works every time they implement it.

 

Across all the haunts, they feel rough around the edges and a bit b movie-ish, which isn’t a bad thing: it really works well for Dr Frights, and I can’t really put my finger quite on why it’s ok – maybe it’s the fact that it’s all held in a marquee, who knows? I just really enjoy that”roughness”. The lighting and use of misdirection in order to get scares is very clever and effective, and even though I knew when and where to expect jumps to come, the scare was still effective and I ended up jumping and yelling a few times in each of the attractions. Adding to this, the actors ability to not only know their scene well, but also encapsulate the character they’re portraying and improvising lines really makes each of these attractions impressive and creepy! It’s really clear that everyone at Dr Frights enjoys and loves what they’re doing, which was really solidified when watching the clown on the hidden camera secretly located in Killer Clowns in a Supermarket who kept acting even though nobody was in the room with him. Absolutely brilliant night!

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19/10/2017 – Dr Fright’s Halloween Nights

14/10/2017 – Faceless Ventures: Diary of a Deceased

A dead body. A diary with all but four pages ripped out. This is the fractured story of John Doe and his encounters with monsters and noises in the dark.

We descend the stairs to the morgue silently, as instructed. A nurse stands to greet us silently as a heavy atmosphere descends around us: in her hand is the Diary. In a melancholic and calm tone, she begins to explain how John Doe and his diary came into her care. She opens the diary to the first undamaged page and begins reading.

We are instantly transported back to John’s childhood, led by his former self. We hide in a den and play a game of Noughts and Crosses; a safe space, the child explains, from the things outside. We relive his night time routine, then it goes dark. Do you hear noises in the dark? We do. They get closer and closer. We escape.

Back in the morgue. We meet John’s love interest; they met in America where she was studying at the time. We enter a room with American flag and bunting, a shadow facing a huge American flag as The Last Post plays. She told us how she didn’t believe him when he told her about the noises, but that all changed. A speech begins to play, growing in volume; the American anthem joining the aural intrusion. Nightmarish creatures appear from the darkness, creeping around, tormenting us, disembodied by flashing lights that allowed them to move unnaturally. The shadow facing the flag leaves the room, and everything returns to normal. What is normal anyway?

We’re back in the morgue. We’re told to follow the voice as a hauntingly beautiful and overwhelming rendition of My Immortal wafts through the air. We follow the voice: in front of us, John sits, arms upturned to show his bloodied and slashed wrists: an unknown figure looms over him, singing his swansong, mourning. In death, his childhood and love are returned to his past: the only gift left to give is death, which was given to us.

Up the stairs and back to reality. Is this the end, or merely the beginning?

 

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Diary of a Deceased has truly left me stuck for words: I know for a fact that what I experienced could never be transposed into words: it was intense, haunting, and utterly beautiful!

What sets this apart from other haunts/attractions is that it relies heavily on the narrative and the actors ability to set the atmosphere in each scene, which they all did perfectly! From the whimsical and lighthearted atmosphere when visiting his childhood and playing games through to the melancholy of his relationship, through to the soul crushing end of John Doe, it was impossible to not get sucked in!

The one tiny piece of criticism I have is the haunt ending – I loved what it was trying to portray, and it portayed it well; however, some more effects such as a wind machine and strobes would further push the idea.

Despite the one little teeny-tiny improvement I could think of (and that’s all it is), this production definitely set the bar high for future immersive theatre, as people were moved to tears in the 30 minutes the show lasted. I cannot wait to see where this goes, if it goes anywhere: as a singular story it is perfect, but as I somberly climbed the stairs leading away from the morgue, I was definitely craving more! Well done to everyone involved!

14/10/2017 – Faceless Ventures: Diary of a Deceased

07/10/2017 – Scare Kingdom Scream Park

With nine years under its belt, Scare Kingdom descends once more on Mrs Dowson’s Farm, where all sorts of evil creatures stalk the darkness…

 

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As with all Scare Kingdom Halloween events, the first stop is to a small intro scene that sets the tone and gets you ready for the scares ahead – this year, Billy Redneck (a famed killer clown hunter) welcomes you to the mayhem, with a brilliant special effect that really packs a punch!

 

The Sickness 2: High Hopes Hospital

New last year, High Hopes Hospital is a sequel in the The Sickness “franchise”. Hosted by Doctors Lockjaw and Van der Blood, this extremely theatrical haunt will blow you away from the fascia sitting outside as you approach and the dank corridors hidden within, to the creepy and alluring way the actors manage to portray themselves, this fun haunt is a great expansion on what was laid out last year.

 

Manormortis

Manormortis is definitely a treasure to behold in the haunt industry: it’s beautiful, so incredibly themed within, and the numerous immersive stories that are told within it almost feel like American Horror Story’s Murder House; the only thing I can fault with it is that the entrance isn’t decorated to be a grand manor house like High Hopes Hospital! As with all Manormortis haunts, it is extremely theatrical and has a great mix of story and scares that blend together greatly to completely immerse and lose you in its world! Got to give recognition to the female in the finale – that scream is terrifying!

 

Prey

Following the grace and beauty of Manormortis is no easy feat, and unfortunately I feel like Prey doesn’t even try to stand up. Themed around vampires, the external theming sees the building turn into a beautiful chapel that looms over the audience as they approach, almost giving off a hauntingly forboding atmosphere on its own; however when you step inside, the complete lack of theming really ruins the attraction. What could have been a beautifully creepy attraction turned out to be a haunt that relies completely on jump scares every few feet that become predictable and boring by the time you’re half way through. Don’t get me wrong, the pitch black walls press in on you greatly and create this sense of creeping claustrophobia, but so much can be done with it as we saw in 2015 – I really hope it returns to that soon.

 

Body Snatchers

Brand new this year, and the most anticipated haunt at Scare Kingdom, you are invited inside Brimstone & Black funeral parlour where not everything is as it should be. This is honestly on par with Manormortis with regards to storytelling, and the scenery and costuming is absolutely beautiful and really fits the theme. There are a number of effects and scares dotted throughout that are sure to catch you off guard, though most of the scares were aimed toward the front… until the finale, which is guaranteed to get you no matter how brave you are! Definitely the strongest haunt at Scare Kingdom this year!

 

Black Widow

The last of the boo haunts is Black Widow – a hooded haunt themed to arachnophobia. The set up was really quick and fun, but as soon as the hood is on and you enter the haunt, it loses momentum: from the constant “are you scared of spiders?” being yelled to what’s obviously hands grabbing you, it’s more fun than scary. Having to run your hand over something furry/spiny to make it feel like you’re brushing against a spider, or parts of the rope covered in something sticky to feel like web would definitely add something, hanging lengths of string from the ceiling to simulate strands of web, and even a leg tickler section would really add that little extra that it’s missing at the moment.

 

Psychomanteum

With the departure of Snuffhouse, the sickening Psychomanteum makes its return, and boy does it really pack a punch! This extreme haunt is the only one of its kind that can make me go from laughing hard to feeling extremely uncomfortable and back again in milliseconds, and it’s easy to understand why! I am honestly so glad that Psychomanteum is back, as it’s honestly my favourite haunt at Scare Kingdom (I’m a sick f*****, after all). Definitely one to avoid if you’re not comfortable with being put in scenarios that really toe the line sexually; if not, get your ticket and get ready for the chaotic whirlwind inside!

 

 

What can I say? Scare Kingdom has really pulled it out of the bag once again, and I’m glad that I returned once again this year. If you’ve got a free weekend, I definitely suggest a visit!

 

07/10/2017 – Scare Kingdom Scream Park

04/10/2017 – Scaresville at Kentwell Hall

After my first visit to Scaresville roughly this time last year and really enjoying myself (despite a few small critiques), I knew I had to return this year – and was I glad I did!

Scaresville, for those that aren’t in the know, is dubbed a “haunted village” and quite rightly – when you visit most scare attractions, there are multiple individual haunts that last 10-20 minutes which can be done in any order; Scaresville is a ~90 minute walk around a small section of Kentwell Hall that has a number of different scenes that last from 30 seconds through to 15 minutes, and you see and experience everything!

As I stated in last years review (and I’ll no doubt mention it again next year), I’d usually review each of the haunts one by one, but as you go through so many little scenes during your visit, it’s impossible to remember every little thing you experience, so I’m going to review the whole attraction as one supersize haunt.

First off, The Unfairground made a return: it was almost the same as last year, though the magician had been traded out by some areal acrobats that performed once in a while which was impressive (despite the sound issues) – definitely worth a watch if they’re performing when you’re there. It would have been nice if there was some sort of schedule at the entrance of the big top (if it is there, ignore this). I really enjoyed The Unfairground this year, despite the fact there’s still a lack of things to do and see – a pumpkin shy or apple bobbing thing wouldn’t go amiss! Nonetheless, the atmosphere in this area was truly electric, and as the lights hanging from the browning trees swayed with the breeze and with the announcer calling out group numbers, it really and truly felt like a Halloween festival – the local airborne wildlife definitely added to this feeling!

After grabbing a hot drink and watching the acrobatics, it was our turn to queue up and watch the safety announcements where we’re told the rules and such, and there were two rules I really did like: you must change positions, and if you catch up with a group you must wait. This is the only place I’ve ever heard these rules though the first you kind of have to do as keeping in the same order for 90 minutes sucks, but it’s rare for haunts to actually encourage you to slow down, and it’d honestly be rude to not slow down and ensure your group is all together as some of the scares used are much, much more intense when everyone sees it the first time!

What is a really nice touch is that the owner of the event sits just before you start your tour of the haunted village – it’s clear that he’s there as an equal to greet his guests and welcome them to his creation and he does with great gusto and pride – and he really should be proud of what he has created.

The scenes themselves this year were as brilliant as they were last year – there were some I recognised from last year, some that had been used in years before, and some that were brand new, so even though there were scares where you knew what to expect, enough has changed for you to be kept on edge – especially in the forest.

Usually if there’s sound bleed between haunts I’d be the first to jump on it and critique it; however, as all the scenes in Scaresville are small the constant screams coming from the distance really adds to the atmosphere that settles over Scaresville like a thick fog as you’re never sure if they’re coming from scenes in front of you or behind you.

The scares themselves are extremely clever, often using misdirection and the cover of darkness in order to illicit a scream from you, though that’s not always the case – some scares are in plain sight and it’s not until the scare has happened that you realise how obvious it was! I was also seriously impressed with the angles the scares came from – one actor hanging about in the forest especially got me after I walked into his limb by accident!

I could honestly go on and on about how great Scaresville is, and it really is incredible. The only improvements I’d make is to add a little more scenery/games to The Unfairground, and whilst it’s probably not completely curable just look out for the batching as you get a little bottlenecked a few times (though it really wasn’t a big issue at all). Overall a very tense, atmospheric, scary, and fun attraction that I will be returning to again in the future.

 

PS: bring wellies and wrap up warm!

 

 

04/10/2017 – Scaresville at Kentwell Hall

15/07/2017 – Frequent Fear Podcast: Fraternity

Conspiracy theories these days run rife. From Big Pharma to the Illuminati, people either believe or disbelieve. Me? Well, I wasn’t a believer, until recently…

Back in March, GNG Entertainment posted “Five years ago, for the first time in the UK, we asked the question ‘how far is too far?’. This year, we find out!” with a picture of the word “Fraternity” in a Greek stylised font. Five years before, for those that don’t know (and I didn’t until late last year) refers to Project Fear, which sounded like a short if intense and extreme haunt where guests entered alone and were subjected to a number of horrible tasks designed to make you uncomfortable, and boy were they successful! Alongside this, the Frequent Fear Podcast released an entry, revealing Lee Conway, Gary Crompton, and Sarah Wilson were the masterminds behind the show, with the podcast exploring the set up of a haunt, its complications and their solutions, in a transparent manner; soon enough, concept artwork began surfacing.

 

Jump to the beginning of April: a Dr Henry Issac, out of the blue, decided to follow me on Twitter. Why’s this a big deal? Well, whilst the Twitter account exists, it is rarely used and just sits there (seriously, follow me on Facebook if you want to be kept in the loop). A quick scan of his profile and I see the word “conspiracist” in the About Me section and smile to myself. Why was a conspiracy nutter following me, and what was The Ordre d’Elysium? I dig even further into his profile and it looks like his previous accounts had been taken down with no reasoning. I got the urge to follow him back, and with one click of a button my entire life changed.

He began posting cryptic and almost inspiring quotes, in a similar vein to that “hang in there!” slogan printed over a picture of a cat struggling to hang onto the branch of a tree. It was amusing for a conspirator to be posting these kinds of things, but that soon began to change: he started explaining that the name of the Fraternity was the Ordre d’Elysium and that he had spent decades following them after discovering a piece of parchment he had found whilst looking into theories on the Holy Blood and Holy Grail, which promised people unlimited power and riches. We explained to Henry that a scare attraction called Fraternity had just been announced, and he was confused at first: what were the Frequent Fear Podcast doing, and how could they ever be linked to the Ordre d’Elysium? We didn’t know: we all knew the guys behind the attraction personally so it didn’t make any sense to us and we shrugged it off to begin with, but seeds of doubt had been sewn, even if nobody wanted to admit to it.

A number of days passed with us chatting about conspiracy theories to Henry, and we explained that we wanted to help as we were now curious as to what was going on – wouldn’t you be the same? With the initiations happening once every decade and with 2017 being the next opportunity, we placed all our trust into Henry and leapt into the unknown. He shared the parchment with us as a test to prove ourselves and our loyalty to him: it was our first riddle, our first step in finding the Ordre. This parchment somehow found its way onto the Fraternity website with the text “Ternion will start your path, and lead you through degrees to the promised land.”

 

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Collectively, and with no help from Henry other than being told to look into the Priory of Sion, we began looking for anything that’d point us in the right direction, obsessively scouring the text for anything strange written within such as words capitalised when they shouldn’t be, letters that seemed out of place for whatever reason, that sort of thing. Theories soon began surfacing and grew with each passing hour, growing to the point where we were looked into astrology and planetary alignments in order to help solve the riddle, but to no avail: we were unsuccessful. Despite the lack of success, Henry showed mercy and uploaded a video to YouTube explaining the extremely complex solution, which revealed the dates of the initiation – was he impressed with how much effort we put into solving the puzzle? Who knows: we were just happy that our efforts seemed to have impressed him enough for him to extend an olive branch.

One of the group shared the date Henry uncovered with Lee who confirmed that those were the dates, and asked how we found out. Naturally, we explained that a Dr Henry had contacted us and told us it was an initiation ceremony and had deciphered the dates from the image: Lee laughed it off, saying he was just some conspirator nutjob and to ignore him. Had we known what we had let ourselves in for, we probably would have followed his advice.

A few days pass, and nothing was heard from Dr Henry. Maybe we were being played and it was someone getting his rocks off to us solving weird riddles for him, when three of our group received an email from magendavid1897@gmail.com, each entitled “Getting closer to initiation” with an encrypted message. The sender referred to themself as “Deep Throat”, but after a little research on the internet, we settled on the notion that the username referred to the Star of David, which made an appearance in the parchment Henry found.

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The binary was the first to be decrypted – a simple binary to text conversion helped with that; however, the other two proved to be much, much harder. Many methods surfaced and none of them worked, making us worry that DT had used multiple layers of encryption. Finally, LEIGGS1910 was uncovered to reveal “SCHOOL 1910”, but we didn’t get round to being able to solve the repeating numbers puzzle.

Alongside all this codebreaking, we were constantly in communication with DT in order to figure out just who we were dealing with. Whilst we never got more than a name, we did learn that he/she was born inside the Ordre and that before each initiation, this highly secret society opened communication channels to the outside world with the permission of the Elders, though DT hadn’t consulted with them and found him/herself in great danger. DT soon started to worry that we wouldn’t figure out the final code as we reached out for help, and we got a new clue “Mechesburg 01709SE4700”, which we deciphered to be Mexborough. We also started getting nicknames DT would use to address us by, based on Greek mythology – some of which had rather grisly meanings behind, and we soon started to worry that not only were the Ordre onto us, but the Ordre had very specific plans in place, and these nicknames were an insight into what to expect. We all began questioning each other, wondering if our actions would be paid for by someone else within the group.

DT fell off the face of the planet. We tried everything to get in contact, but never heard anything back, until one member of our group got the following: “Tomorrow for 30 mins the window will open. If I get the chance I will inform you all 15 minutes before with a call out. Initiation is around the corner.”, and several members got what looked parts of a waiver detailing what we might be subjected to throughout the initiation after we put the emails in order, the most interesting being that we would be given a ceremonial gown. As promised by DT, one of us received a text message stating that DT had inserted a glitch in the Ordre’s website which would take us to a page where we could gain entry to the initiation. Nothing stood out to us when the webpage loaded, so we resorted to randomly clicking about, hoping that the glitch would be that simple – jackpot! We sent this information to Lee, Gary and Sarah once again who were absolutely clueless as to how we were able to get tickets when tickets weren’t available for another three days, though our sales were still to be honoured.

DT sent through another text message saying that another glitch was being added so we could learn more about the Ordre, and as promised, the glitch was live. This time, we were re-directed to a “Contact Us” page, which most of us eagerly filled in, asking for more information.

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A day passed and DT came back to us with an aire of panic in their email, stating to not use the Contact Us page on the site, as any message would be sent straight to the hands of the Ordre’s security officers – it was a trap, and we had all fallen for it! Fortunately for us, there was a chance that we could have those emails intercepted should we be able to decipher three codes in a week, and that the importance of this is “more important that life or death”, which panicked us greatly.

 

Soon enough, one of our group was sent an email with the first clue – it was a simple morse code which we deciphered in a matter of hours, which translated to “THIS IS A TEST CODE.”. We received confirmation, and the next cipher was sent:

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Once more, theories flew about and grew faster than wildfire, only to be halted dead in their tracks. A secret Facebook chat for everyone in the group, sans Henry, was created as our trust in the “Doctor” began to wane – whilst he was trying to be helpful, he always stated the obvious, and it began to feel like he was trying to ride our coat tails, and we weren’t having that. We got the understanding of the riddle but just couldn’t apply it, hell, I even tried to write a piece of VBA in Excel that’d help out in some way, but even that was unsuccessful! Finally, the code was cracked, revealing a passage from Ezekiel: The turn is come unto thee, O inhabitant of the land; the time is come, the day of tumult is near, and not of joyful shouting upon the mountains. We sent this back to DT on the third day, and it was confirmed correct and the final cipher had been sent.

The final clue was written in Braille, so a quick look at a few converters finally helped us work out the final cipher – it turns out that JFK almost gave away the Ordre’s existence in a speech he had made in April 1961! With no help from Henry once again and him now throwing out his own mad theories on why we’re having to break these codes for DT, we realised that we had never actually seen a picture of Henry, and our suspicions were raised even higher: we decided as a group that anything relating to the Ordre we get, we discuss in the Facebook group away from Henry just in case: our trust for him hit an all time low.

 

One final cipher came through, with the promise of an honest answer for three questions we ask:

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If you’re sat there staring at the screen and scratching your head, you’re as clueless as we were. We figured the number 10 had something to do with it and the letter “C” where the two lines intersect with each other were relevant, but we tried all sorts of encryption methods and codebreaker websites in order to solve the puzzle, but we just couldn’t. It took days for us to finally figure out how to solve the clue (you create 10 columns and starting with the “C”, you put a character in each column horizontally, then read the text vertically) and send it off to DT, unbeknown to Henry – we felt that Henry shouldn’t know as he’d ask all sorts of questions and might even attempt to send the questions off behind our backs.

DT fell silent once again, this silence lasting a week before Henry pointed the silence out. We urged Henry to get in contact with an encrypted message of his own seeing as he was under the Ordre’s watchful eye, but he didn’t. We were worried that DT had been caught. Another three days passed and a video from DT herself was sent, begging us with all the desperation she could muster for help on the real reason why she decided to reach out to us, but she never explained what.

We finally received confirmation that our answer for the final cipher was correct and that we were allowed three questions. After painstaking debate, we decided to ask what makes OdE so dangerous, what’s it like to be a member, and finally, whether we could trust Henry. We were told to wait for a few days so DT could get her thoughts together, before signing off as “Magen”.

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Another long silence passed before Henry uploaded a video to his own account – he’s never posted there before, on’y in ODEWatch. It looked like he had been trapped in a building and was trying to escape, his breath heavy as he ran from room to room, banging on windows looking out over nothing, trying to attract some attention, then it ends. ODEWatch spurs back to life and questions were raised once more. We contacted DT to see if she could help, but we got no response. We waited.

The next day, Henry posts: Hello this is Origen. Shit! We were rumbled! Henry in all his stupidity, hadn’t put a password on his phone and got caught! We texted DT to see if she could help. We got a response almost instantly: “Thank you for letting me know, I’ve confiscated Magens phone too. Origen.”. Double shit! We had no way of finding out if either of our cohorts were OK. We could do nothing but attend the haunt and hope that we wouldn’t suffer the same fate as Dr Henry.

The event drew near and after a 4 hour journey to the initiation site, we meet up with three other hopefuls in the car park. We receive a call and get invited inside. We enter the building and take a seat. We’re about half hour early, so we grab a drink and take a seat on the sofas in this huge hall, absorbing the deafening silence when we’re not talking, and the echoes when we do speak. Slowly, more hopefuls arrive. A smartly dressed boy of maybe 11 enters through one of the double doors leading off from the hall and announces “can James Collins follow me please”. I rise to my feet, taken slightly aback by the assertive tone coming from a child and step forward with a nervous laughter from myself and the rest. I follow in complete silence and enter through another set of double doors. I’m handed a waiver and get told to read and sign, which I do. I’m then beckoned beyond the table where the waiver signing takes place by the boy and get taken into a darkened stairwell.

 

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A chair sits facing the stairs as they descend with a piece of laminated paper stuck to the wall next to it, and a basket beneath. I’m told to read and follow the instructions: disrobe to your underwear, put on the t-shirt, sit on the chair, and ring the bell. I disrobe, my heart in my throat, and slip into the t-shirt, which reaches down beyond my underwear. I place my clothes in the basket provided and take a seat. I take in a breath and ring the bell three times, the chimes echoing up and down the stairwell as I sit back in my seat. The chimes vanish to nothing and time slows down. From the darkness, a shadow appears. With an outstretched hand, I am beckoned. I descend the stairs at a pace similar to the gesture from the shadow with my footsteps bouncing off the walls. I’m taken by the hand and led into another room: the initiation began…

Most of what happened after this can’t be shared; however I was bathed, anointed, asked to prove my trust in the Ordre by a member with dozens of mousetraps, and eventually being reborn into the society in a journey that was both serene and yet chaotic as my path crossed those of Dr Henry and Magen. 30 minutes later, I’m sat blindfolded in front of a cloaked figure speaking in what sounded like Latin as a warmth spread through my wrists. The figure stops speaking and the blindfold was removed, revealing the mark of the Ordre where the warmth was moments ago. I am welcomed into the fraternity by the cloaked figure, my new Brother, and am guided to a door where I’m told never to talk about the Ordre before being shoved through it and back into reality – initiation complete.

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15/07/2017 – Frequent Fear Podcast: Fraternity

14/07/2017 – Southend Room Escape: The Cabin (Preview Night)

After the roaring success of its predecessor (Down the Rabbit Hole) and with a SCAR Award under their belt, the team at Southend Room Escape quickly began boasting about their brand new addition to the growing list of horror themed escape rooms: The Cabin. We were invited to a preview night to give the room a test run, and I’ve still not entirely decided who was tested more: us, the actors, or the room!

Inspired by the legend of the Blair Witch, participants enter a long forgotten cabin hidden deep in the woods where a number of people had been vanishing, and it’s down to the participants to solve the clues and save the kids from their impending doom!

From the moment we stepped into the building, it was clear to see why they needed two weeks to redecorate! The scenery was absolutely incredible and as soon as the front door opened, it was easy to believe that we were in an old abandoned lodge. A dead radio in the corner fizzled to life and explained the rules, and we left the starting line… albeit very slowly.

We spent the next hour sweating over the most easiest of easy riddles, trying (and succeeding!) to hack locks and clues (much to our detriment…), and even trying to appeal to the actors soft side in order to get a hint on how to solve the clues (you really need to have your thinking cap on for some of these), and screaming as we’re attacked by a benevolent force as the claustrophobic cabin and intense darkness were used against us.

Once again, the team at Southend Room Escape weaved their magic and bought their universe to life in their little pocket of Southend. This is truly not for the feint of heart, and really does require everyone in the team to be able to cope under stress. We will definitely be back later on in the season to see the full show (clues were being changed after we left, so don’t ask us for clues!) and to see if we can best our time!

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14/07/2017 – Southend Room Escape: The Cabin (Preview Night)

29/04/2017 – Pasaje Del Terror, Blackpool

The first time I had ever experienced the Pasaje Del Terror brand was about a decade ago in Malaga: a friend and I were on holiday and we decided to go to Tivoliworld in the afternoon and stay through until midnight (the park opened at like 2pm and closed at midnight in order to escape the heat), we were both the thrill seeker types, and this was conveniently in the same place as we were so it seemed like a stupid idea to miss it; unfortunately, I thoroughly hated it and swore myself that I’d never visit the brand again, even though the London Pasaje is literally on my doorstep.

This changed, and I’m glad I was persuaded to go.

The first thing that struck me was its theming – even in the queue the theming was on point and really helped set the tone as you could see people looking about and shuffling their feet nervously as we waited to be summoned. Our time came, and we entered down the twisting staircase with a soundtrack saying “leave!” and “get out!” and other various phrases on a loop. We were given the bog standard haunt rules, the door opened, and we entered the blackness…

There were a number of things that thoroughly impressed me throughout the haunt, with the most impressive being the characters: every character, whether they spoke or not, were extremely captivating and had everyone in our group eating out of the palms of their hands, and used their surroundings well whether that was hiding in the shadows or using strobes to create extremely atmospheric and almost dreamlike visuals that make you wonder whether or not the character was real.

The scenery throughout was also fantastic, from narrow and incredibly dark corridors to a chapel with a priest (of sorts) inside, the amount of detail in each individual scene was spectacular and never let the scene down.

Unfortunately, even though the haunt was much stronger than I remember the Malaga haunt being, there were some downsides: if you were at the front you missed out on a lot of scares, which really sucks as there were two scares that I had no idea happened nor how it happened until a friend at the back told me and it sounded like a great scare (though I hasten to add that there were a number of scares that really were unexpected and even made me jump). On top of this, the scene inspired by the Halloween movie series could have had the effects trigger button hidden better and the scene itself could have been darker when the button was triggered. Finally, whilst the scenery between scenes was fantastic, the graduation between scenes really needs to be thought out a bit better as they were jarring at points and left me questioning why the transition was even dreamt up.

Overall, I enjoyed myself this time through. It’s short, but it delivers some really detailed scenes that most horror movie fans will identify and enjoy, though it’s definitely aimed at people who are new to the haunt scene. Definitely worth visiting if you’ve got a spare half hour and you’re close by.

29/04/2017 – Pasaje Del Terror, Blackpool