29/04/2017 – Pasaje Del Terror, Blackpool

The first time I had ever experienced the Pasaje Del Terror brand was about a decade ago in Malaga: a friend and I were on holiday and we decided to go to Tivoliworld in the afternoon and stay through until midnight (the park opened at like 2pm and closed at midnight in order to escape the heat), we were both the thrill seeker types, and this was conveniently in the same place as we were so it seemed like a stupid idea to miss it; unfortunately, I thoroughly hated it and swore myself that I’d never visit the brand again, even though the London Pasaje is literally on my doorstep.

This changed, and I’m glad I was persuaded to go.

The first thing that struck me was its theming – even in the queue the theming was on point and really helped set the tone as you could see people looking about and shuffling their feet nervously as we waited to be summoned. Our time came, and we entered down the twisting staircase with a soundtrack saying “leave!” and “get out!” and other various phrases on a loop. We were given the bog standard haunt rules, the door opened, and we entered the blackness…

There were a number of things that thoroughly impressed me throughout the haunt, with the most impressive being the characters: every character, whether they spoke or not, were extremely captivating and had everyone in our group eating out of the palms of their hands, and used their surroundings well whether that was hiding in the shadows or using strobes to create extremely atmospheric and almost dreamlike visuals that make you wonder whether or not the character was real.

The scenery throughout was also fantastic, from narrow and incredibly dark corridors to a chapel with a priest (of sorts) inside, the amount of detail in each individual scene was spectacular and never let the scene down.

Unfortunately, even though the haunt was much stronger than I remember the Malaga haunt being, there were some downsides: if you were at the front you missed out on a lot of scares, which really sucks as there were two scares that I had no idea happened nor how it happened until a friend at the back told me and it sounded like a great scare (though I hasten to add that there were a number of scares that really were unexpected and even made me jump). On top of this, the scene inspired by the Halloween movie series could have had the effects trigger button hidden better and the scene itself could have been darker when the button was triggered. Finally, whilst the scenery between scenes was fantastic, the graduation between scenes really needs to be thought out a bit better as they were jarring at points and left me questioning why the transition was even dreamt up.

Overall, I enjoyed myself this time through. It’s short, but it delivers some really detailed scenes that most horror movie fans will identify and enjoy, though it’s definitely aimed at people who are new to the haunt scene. Definitely worth visiting if you’ve got a spare half hour and you’re close by.

29/04/2017 – Pasaje Del Terror, Blackpool

24/02/2017 – Delectably Dead

It has been a long time since I last saw or heard anything from the depths of Southend as Hide and Shriek went silent shortly after their Halloween plans, which had me a little worried as there’s very little in the way of haunts down in Essex and they’re one of my favourite event organisers, so when Delectably Dead came onto my radar, I was all over that like a zombie on brains!

From what I knew about the show before entering, I knew it was going to be a mix of theatre and dinner at the same time. I did one in Disneyland or something years back that was themed to cowboys and you got served dinner whilst stuntmen did acrobatics and all sorts on horseback, so I was kinda basing my judgement on that: I wasn’t wrong, but I wasn’t right either.

Upon arrival, it was clear that the intent was to completely immerse you from the second you stepped into the event. We were served drinks in the function room next to the room Delectably Dead was hosted which had caution tape wrapped around pillars and amusing signs dotted around the walls, and when the main doors opened we were given a little booklet that we had to fill out which was also riddled with Hide and Shriek humour (which I absolutely love).

Once we had filled out our rations booklet, we took our seats on our designated table, which was unfortunately further away from the stage than I had liked but we can’t win it all, I guess? Anyway. Looking around the room at the theming on the tables, in the rations book, and on the screens dotted about the place, it was clear that there was a lot of inspiration from the Fallout game series which I highly commended and actually got loads of positive feedback from friends when I showed them the pictures. If you can imagine sitting at a diner with caution tape stuck to the tablecloth whilst hanging industrial/miner lights flickered on and off to simulate being run off a generator, whilst 1940s/1950s-esque music played on repeat in the background and the characters wandering around whilst introducing themselves to you, you’d kinda get the bizarre mixture of haunt meets dining experience feeling.

The room filled up to the brink with a bizarre demographic: the ages ranged from their teens right through to their 40s and maybe 50s, wearing either t-shirt and trousers or smart casual. It was clear that it had bought the dining experience crowd and the horror/haunt crowd together in a room for an evening, which was absolutely lovely as we found ourselves making fantastic friends with people dotted all throughout the room during the course of the event.

Soon enough, it was showtime! The characters all popped into action and the generic zombie story began, with lots of thrills and spills, and a surprising amount of violence and rude language, which was surprising seeing as the other Hide and Shriek events I had been to definitely lacked these – definitely not a negative point as all the actions and language had its reason to be there. Not long after the show began, we got treated to Hide and Shriek’s trademark introduction video (I won’t lie, I was looking forward to this). For those that have never been to a Hide and Shriek event, it’s basically the generic safety briefing you get just as you’re about to enter a haunt (don’t touch the actors, they might touch you blah blah blah) but done in the style of the show, with lots of humour. I really and truly hope they never get bored of these, because I absolutely love them!

 

I guess this is the bit where the it gets tough to write about the event because it wasn’t a haunt, it wasn’t immersive theatre, it was a dining experience. For those that don’t know what that is (I didn’t know until 24 hours ago either), it’s basically a theatre show with a number of intervals dotted throughout in which you get given a chance to eat, go to the loo, top up your drink, have a smoke, etc. As someone who came from a haunt/theatre perspective, it really didn’t work for me – it felt like just as we were getting immersed in the show, we were ripped away from it to eat.

In my opinion, there were three different factors that ruined the experience for me. I’m not including the immersion issue above as that’s not an issue with the show per se, it’s my expectations coming from the haunt/theatre scene as opposed to faults in the show.

The first is the volume of the actors: whilst they did well to project their voices so that the ~200+ people could hear them, it was nigh on impossible to hear and understand what was going on through entire scenes in some cases due to the positioning of the actors and the general background noise (and not-so background noise, in some cases) from the audience. I’d suggest radio throat mics that hooked into the same PA system the projector and TVs were using.

The second is alcohol. I get that it’s nice to have a drink when you’re out at a theatre show, but there were some incredibly drunk people there that were yelling at inappropriate moments and generally treating it as if it were a pub, which the actors tried to combat but drunks are just complete and utter cunts at times, and none were more cunty than the cunt that was sat on our table yelling out the most vile shit I’d only expect at a Britain First rally. The actor receiving the abuse dealt with it in a fantastic manner and manged to keep himself composed extremely well, but fuck me I have no idea how she woke up this morning with just a hangover! The worst bit is, there were bouncers at the only entrance to the room that should have seen she was just getting drunker and louder as the event progressed and could have stopped her from re-entering the room for being too drunk, but all they did was give her a warning. I get that she had spent money to be there, but so had another 200 odd people and the last thing we wanted was to hear a load of racist bollocks instead of the show. I’d have either had a dry event or limit the alcohol to a bottle of wine between two people, with the bottles sat on the table, and then the bar open at the end. This could have potentially saved the actors from having to scream and yell so much that they were getting hoarse voices by the end of the show.

The third point is the number of people. Where we were sat (Zone E) was the opposite side of the room from where the action was taking place. With the two factors above and having a number of bodies obscuring our view, we had no idea what was going on and honestly started getting bored of sitting there trying to figure out what was going on, and only a handful of times would an actor come by our table for the briefest of moments – I feel sorry for the tables that were right at the back by the bar, it’s hardly surprising that they were just drinking and having their own little fun. I’d definitely consider having the number of tables one row, or maybe two rows, deep so that everyone is included in the show and it’s easier to follow.

 

 

Moving onto the positives of the show, the amount of detail in the very minimalist scenery was incredible – the posters that I mentioned in the bar were placed in the advertisement spaces in the loos, the little jokes on the ration book and in the intro video, the little stickers on the food, it all had something amusing that related to the apocalypse and zombies, and really added to the dining experience side of the event.

Also, from what I could hear I’d honestly say that without the dining experience bit and with the right crowd, this would have been a really tense and gripping piece of horror/thriller theatre. The combination of live actors and video really meshed well together, and really pulled off the horror tropes and paid homages to pioneering people and movies well. Sure it’s “another zombie show”, but the level of dedication the actors poured into their characters was so high that it would have been easy to have believed everything they said and for it to feel like it wasn’t just “another zombie show”, which actually really made me sad that all this effort was poured into the show only for it to be ruined because it felt like people couldn’t give a fuck about the show.

 

On reflection, I’m happy to chalk this down to a bad audience as all the other Hide and Shriek events I’ve attended have received nothing but praise from me in the past, though I don’t think I’ll be returning to another horror dining experience in the near future.

 

This slideshow requires JavaScript.

24/02/2017 – Delectably Dead

20/11/2016 – 139 Copeland Road

Before I begin, I’d like to apologise to anyone that’s been anticipating this review, especially the cast of 139 Copeland Road: I was seriously ill for the event and just about managed to drag myself along, and since I’ve literally not had the energy to get round to writing this up.

 

Anywho, on with the review!

 

After the sheer intensity of Séance in Birmingham a few weeks earlier, 139 Copeland Road suddenly appeared on my Facebook feed, and with only a small number of likes and a rather captive backstory, I knew I had to go to it one way or another. I spoke with a few friends and managed to get tickets for the same show as my friend from Europehaunts, who frequently flies to the UK to experience the shows here. With much excitement, we counted down the days until the show.

 

As I explained above, a few days before I had a flare up (I’ve suffered from Crohn’s disease since 2014, and it’s rare for me to admit it so publicly but I very much have reason to), which included intense stomach cramps that are unbearably painful, which almost made me give up my ticket; however, I didn’t: I got dressed (readas: put clothes over my pyjamas) and headed off to 139 Copeland Road.

 

I got to Hackney Wick station and punched in the postcode on my phone, and began following the instructions, half forcing myself to just go and get it over and done with. After getting lost despite being stood right outside the venue, I bumped into the guy from Europehaunts who seemed to have his head screwed on more than me as he instantly saw the venue: a derelict house.

 

We approached 137 Copeland Road, showed our tickets, and were let inside, where we were greeted by the sights of a completely gutted house, an absolute skeleton of what we’d consider a building. Music wafted through the air while floodlights splashed light across the walls, which were decorated with newspaper articles, pictures, police enquiries, and all sorts of information about seances and the family that lived there.

An eccentric man dressed as if he had stepped out of a steampunk fantasy novel explained the story of 139 Copeland Road: Mary, a single mother of two, had been living at 139 Copeland Road. She had been a school teacher, a much loved figure in the community. One night in 1974 however, a house fire led to Mary and her two boys burning to their deaths. The bodies were never recovered. Since then, the house has stood empty, partly due to the derelict state, but even more so because of the rumours. The sightings.

As soon as he wrapped up the story we were led into 139 Copeland Road, which was just as derelict, if not moreso, than the building we had just come from, and even upon entering there was something not quite right about the house. We were invited to take a seat at a table that had a lightbulb dangling from the rafters above, dimly lighting what felt like would have been the living room before the fire, whilst the Medium set up the seance with an offering of food, candles, and a picture of Mary, whom we were trying to contact. The light dangling above the table was turned off, leaving us bathed in the light of the three candles. We all joined hands, and the seance began.

Over the course of the next half hour, all of us at the show were completely encapsulated in the seance; lights would flicker, objects would vibrate and shake, and even though at a subconscious level I knew it was fake, I could have sworn there was someone stood directly behind me, staring at the back of my neck – something that Europehaunts also felt.

We found ourselves rushing around this decrepit house, our paths lit only by two of the smallest and dimmest torches ever, as we try to unravel the secrets that 139 Copeland Road held: we soon learned that the fire was no accident, and there was something much darker and sinister lurking in the shadows.

Though that entity sure wasn’t the only thing to be hidden in the shadows: there were points where we were plunged into pitch black, huddled in a corner as all sorts of noises rattled around us, making everyone feel claustrophobic. In one room, we were stood with a faint ticking noise that grew louder and louder from the loft, which became more and more consuming the louder it got – the ticking was the most intense and attention grabbing noise I’ve ever heard in my life, then it stopped. We all stood there in absolute silence, waiting.

As the show drew to a close, the experience became more intense still, as the guy who set the scene ended up disappearing in front of our very eyes, and we were chased out of the building by a roar that somehow chased us all down the stairs: the finale, an absolutely mindblowing scene that used the chaos as a perfect cover to transport items from where we were to the sinister entity more than 10 feet away from us, which was incredibly impressive. We were soon chased out of 139 Copeland Road and onto the streets, where we all took a moment to sigh and decompress before laughing at how immersed and scared we all were.

 

Well, what can I say? This has to be one of the best pieces of immersive theatre I’ve ever experienced – I don’t usually get sucked into a story within 10 minutes of the show starting but this got me perfectly – I even forgot that I was in pain for the entire show, which is absolutely incredible!

Despite there being only a handful of actors, each one played their parts perfectly – the Medium did a fantastic job of acting exactly like Mediums do on Most Haunted and the like, the guy that set the scene was really easy to listen to and believe, and the plant that I suspected was a plant at the beginning actually had me fooled once the seance began, and the sinister entity used the strobes perfectly to seemingly glide across the room at numerous moments in the event (though a black zentai suit would have been a bit creepier).

Considering the only effects that were used were flickering lights and speakers (probably triggered from 137 Copeland Road), the company behind the show were able to quickly and effectively suspend reality and create an entire world within the walls of that house. I’m glad that I forced myself to go despite being ill, as I know I wouldn’t have forgiven myself for not going.

One eensy-weensy criticism was that the speakers in the bedroom and living room were easily visible (if you knew where you were looking) and the two strobelights used at the end could have been moved so that they were hidden behind the beam where the dividing wall was (can’t explain it any better unfortunately – sorry!).

I look forward to hopefully seeing more from the creators of 139 Copeland Road, as they are definitely hitting the nail on the head when it comes to immersive theatre.

 

20/11/2016 – 139 Copeland Road

24/10/2016 – Scarefest at Alton Towers

As we were driving by Stoke-On-Trent on the way back from our week of northern haunting, we decided to do a very quick 3 hour flying visit to Alton Towers seeing as there were so many positive reviews from friends: let me tell you that, straight off the bat, it was the best 3 hours I’ve had in the park.

 

Altonville Mine Tours: Uncover the Legend of the Skin Snatchers

With a rather long name (I’ll probably start referring to it as Skin Snatchers from now) that matches the length of the haunt, this sits where Molly Crowe was last year.

Upon entering the queue, western guitar slides and chords warble through the air in the queue. We got quite early tickets because the tickets we wanted weren’t available; damn our spontaneity (this is the reason why Terror of the Towers isn’t included in this review) and so the queue wasn’t very long, but the excitement and nervousness already began to build thanks to the high fencing, narrow queue, and flickering light bulbs in burnt out fixtures.

Our turn came and we were called forward. Three of the 10 of us received a helmet with a light fixture (sadly not me) and we were told to listen to the safety briefing by the creepy hillbilly handing out the helmets. Once this was over, we met his brother and our tour of the mines began…

With a very powerful storyline, you’re taken down into the depths of the Mines where the skin snatchers live, who take very little time in splitting you up and tormenting you throughout this 20 minute haunt.

Chaos literally rains down around you as sights, sounds and smells all intermingle with one another, with the skin snatchers taking full advantage of strobes, pitch black, and the boiler suit corridor to make you feel completely disorientated and uneasy from the moment you enter to the moment you leave. An incredibly strong attraction that rekindled my love for haunting once again!

 

Sub Species: The End Games

After surviving Sub Species: Operation Lockdown last year and missing out on the mazes due to arriving late, I finally managed to enter the labyrinth owned by the dwellers within, and I was not disappointed!

This incredible haunt is very fast paced and intense, and you will end up feeling completely lost and confused as the dwellers play with you, sending you down your own route through the first piece of the haunt, all of which was used in Operation Lockdown, but even surviving that didn’t help me navigate my way out!

Whilst not jump scary, the dwellers have absolutely no issue grabbing you and moving you about with reasonable force which I absolutely love in a haunt as it makes the whole experience a little more real, and it’s completely necessary for this haunt to be scary. After being chased out of the ending, I took a moment to stand there and just give a huge sigh of relief and reflect briefly on what happened. Definitely the stronger haunt in this review.

 

After blasting our way through the two haunts in 45 minutes or so, we also managed to get a ride on The Smiler and Nemesis, then decided to head home. A very short visit, but I was honestly blown away with how well Alton Towers had executed Scarefest from how easy it was to book our tickets through to how interactive and intimidating the actors were in the haunts, and how creepy the roaming actors were in the Forbidden Valley scare zone (can’t comment on the other scarezone(s) as we didn’t visit them): Scarefest is incredibly professional, and Thorpe Park definitely needs to ask these guys how to put on a halloween event, for sure!

 

One teeny-tiny gripe though: the scrapping of the extreme haunt run-throughs. I would have honestly leapt at the opportunity to do those! Bring them back next year? Please?

 

24/10/2016 – Scarefest at Alton Towers

22/10/2016 – Scare Kingdom

 

Voted UK Top Rated Scream Park for the last four years and my personal favourite from last year, the multi-award winning Scare Kingdom Scream Park is back once again for it’s eighth year of fear with a slew of new attractions!

 

Mallum

As always, Scare Kingdom welcomes all who dare enter with a spooky scene to set the tone, and they delivered once again! With a cursed relic, an ancient evil is summoned to scare you out of your skin! Whilst a fun idea, the green light from a light on the ceiling of the room took away the creepiness a bit, but the jump was still rather effective.

 

The Sickness

I love a good medical themed haunt, and I loved this. A very strong story to set the scene, then in we went to discover the dark and disturbing characters behind an underground experiment that saw an infection spread through a hospital like wildfire! With some extremely strong scenes including a much scarier scare used in The Sanctuary at Alton Towers, this is a very strong start to the haunts! Keep an ear out for the heart monitor as you go through, this was an incredible level of detail that is easily missed if you don’t know it’s there!

 

Manormortis

The haunted house to end all haunted houses is back once again! Tricked out to the nines, there is so much to see and take in that you can have multiple run throughs and still see things you didn’t see the first time! This year, a diary was discovered that details an extremely sinister story of the supernatural. With scenes that involve séances and other creepy contact with the spirits hidden in the manor, scares come at you from every which way as you hear more and more about the story as you venture further inside. Watch out for the finalé, it’s sure to scare you out of your wits!

 

The House of Gaunt

From the most decorated of all the haunts at Scare Kingdom to the least (not including Black Death, which I’ll explain later…), The House of Gaunt tells the story of a creepy collection of dolls coming to life. This sparsely decorated and almost pitch black haunts uses jump scares to get you, and even though the jumpscares are repeated all the way through the haunt, it gets you every time! It’s not got much to it, but it was still enjoyable and an interesting theme to have.

 

666 Brimstone Place

From creepy dolls to satanic cults, 666 Brimstone Place sees the return of Hell in 2015 with a new story; having said that, it still delivers an eerie vibe with some rather shocking and almost controversial imagery that we’ve only seen Scare Kingdom dare to deliver, and I loved it! Whilst the rest of the haunt seemed to lack something (maybe the strength of the last three haunts set the bar high), there were a number of scenes that were absolutely fantastic – I’m glad that the finale still remains in tact, as it’s still one of the strongest endings that Scare Kingdom provides

 

Black Death

Scare Kingdom bring their own hooded haunt this year: themed to the black plague, this haunt is littered with coughing and spluttering sick victims of the plague. I’ve never been a fan of hooded haunts as I don’t feel that being hooded adds anything to the experience, and even though it was a full contact haunt (whilst the others aren’t), it still had a lot of room for improvement – I was constantly worried I was going to tread on one of the actors or walk into the person in front of me, and avoiding that became my main focus, rather than being scared. Maybe I’m just picky; others going through were definitely scared, but I just couldn’t get immersed in the story.

 

Snuffhouse: Alone

After doing Snuffhouse: After Dark earlier this year, I half had an idea of what to expect, and after reading the disclaimer and watching people come out dripping wet, I decided to skip this attraction as it was cold enough without the water.

 

Overall, Scare Kingdom is an impressive attraction with some incredibly strong haunts and characters (shout out to Dougie and the drunk female wandering around the bar – sorry I didn’t get your name!) that really needs to be experienced at least once in your life, as everything is on point. I will definitely be back next year to see how Scare Kingdom evolves and attempts to trump another extremely strong year!

 

22/10/2016 – Scare Kingdom

21/10/2016 – Yorkshire Scare Grounds

After a quick re-shuffle of haunts due to timings (I really didn’t plan this tour at all…) I found that we had a date missing a haunt, so we decided to sneak this one in!

We were put in a group of 12 and were sent on our way through the scare grounds…

 

House of Arachnia – Mutation

The first haunt on the tour played on the fear of spiders. The character setting the scene was rather quiet and the voice he put on made it hard to understand what the story was, but I figured it had something to do with spiders taking over a house due to all the cobwebs everywhere.

It was a very basic haunt with few characters, most of which didn’t make sense whilst in there, but the bedroom scene has a really neat little trick that was kinda cool.

What was disappointing was that all the scares were aimed at the first person in the queue, meaning we got nothing right at the back and we started to get bored.

 

Forest of Freaks

As the name suggests, this theme was freaks in a forest. The forest itself was perfect for these clowns to run around without being seen, and they did that extremely well, but as with the haunt above, all the scares were aimed at the front of the queue. By this point we were so bored at the back that we started making the rest of the group jump to entertain ourselves.

 

The Chapter – Order of the Raven

With a sinister feel, I found this long-ish haunt rather interesting: we were constantly ducking between indoor and outdoor scenes but as with all the other haunts at this attraction, all the scares were aimed at the front of the group.

On a more positive note, the Raven’s costume was really impressive!

 

Lockdown – They’re Out!

This is where the haunts seemed to pick up a bit more.

Greeted by a soldier, we were given a nice long intro story to the haunt that set the tone. From actors that were hidden in plain sight through to the zombies banging on the fences as we went passed, it was a disorientating and complete sensory overload that had us on edge: we especially liked the use of water in this haunt as well! The only issue I had was the zombie wearing glasses: it just kinda broke the illusion a little.

 

The Tomb – Afterlife

This was, by far, the strongest haunt there. Themed around Ancient Egypt, we were led into a tomb that’s protected by a curse that comes to life as you progress through this clever and innovative haunt! The scenery throughout was incredibly detailed and at points it was impossible to tell the difference between a prop and an actor, which played to our disadvantage in the strobe maze! The tomb corridor was the highlight of the haunt and the attraction!

 

The attraction started off rather weak but definitely improved as you went through. If you do decide to go, try and work it so that you’re at the front of the conga line to get the most scares, and toward the back if you’re jumpy.

 

Also, definitely have a photo taken in their photo booth, and take a look around the gift shop – one of the actors draws as a hobby and was selling some pictures when we went through, and I got this amazing picture of an evil blue critter that I absolutely love!

IMAG0236.jpg

21/10/2016 – Yorkshire Scare Grounds

20/10/2016 – Hallowscream at York Maze

As I arrived and started queuing up to get into Hallowscream, it was evident that the theming and roaming actors would be very strong throughout – I was not disappointed! From fantastic visuals through to performing actors chasing after their victims, there was lots to see and be scared by upon entry.

The first place we went to was The Stumble Inn to get a drink. Themed around zombies, you can chill out (as best you can) in the Inn with a hot drink and watch some fantastic dance routines in this incredibly themed bar.

 

Reincornation

This was the first haunt of the night. Themed around clowns and funhouses, it really wasn’t clear (unless you visit the website) what the story of the haunt is. Having said that, there were some great elements hidden within, including a leaning room, a bottomless pit room, and a vortex tunnel that was strong enough to make everyone fall over. A well themed maze with some great ideas, but the lack of story upon entry and the huge group meant that we heard the scares coming before they repeated.

 

Barnageddon

As with Reincornation (above), there was a complete lack of story so I honestly have no idea what this haunt’s theme is; however, I did enjoy the way the haunt was themed, and really loved the use of water in there. As with Reincornation (and you’ll see there’s a bit of a trend here), the dispatch times need to be bigger and the group numbers need to be smaller as we caught up with the groups in front of us and I could see the actors weren’t getting their full scare potential. This would have been a really strong haunt if we hadn’t have queued up in the attraction itself.

 

The Flesh Pot

This haunt is the strongest attraction there. Themed around a psycho farmer that killed people and put them into pies to sell, The Flesh Pot has some very creepy scenes and some fantastically executed jump scares, but the thing that made this great is that we went through in a smaller group, meaning all the scares got all of us the first time – this was the only haunt to make me jump the entire night!

 

The Difference Engine

This was a very interestingly themed haunt. Based on some-sort of computer, you travel through a series of very sterile rooms that are laced with mirrors that was almost disorientating, add that to your group being split up and you’re in for one confusing ride! I loved the idea of being split up at various points during the haunt, though there were some great missed opportunities for jump scares.

 

1873

Set-wise, this set was incredible, especially the entrance to the haunt! I was gobsmacked by all the sets, actors and effects throughout this entire haunt as every little bit worked well and executed almost perfectly: the only thing that could have finished this haunt off is something similar to the weeping angels.

 

Overall, I’m a little disappointed with this event; it was far too busy around the haunts and the queues looked absolutely massive – I’m glad we had RIP tickets as I wouldn’t be surprised if you didn’t make it around all the haunts in the “normal” queue. Having said that, the roaming actors and theming throughout the general area was fantastic.

20/10/2016 – Hallowscream at York Maze