14/10/2017 – Faceless Ventures: Diary of a Deceased

A dead body. A diary with all but four pages ripped out. This is the fractured story of John Doe and his encounters with monsters and noises in the dark.

We descend the stairs to the morgue silently, as instructed. A nurse stands to greet us silently as a heavy atmosphere descends around us: in her hand is the Diary. In a melancholic and calm tone, she begins to explain how John Doe and his diary came into her care. She opens the diary to the first undamaged page and begins reading.

We are instantly transported back to John’s childhood, led by his former self. We hide in a den and play a game of Noughts and Crosses; a safe space, the child explains, from the things outside. We relive his night time routine, then it goes dark. Do you hear noises in the dark? We do. They get closer and closer. We escape.

Back in the morgue. We meet John’s love interest; they met in America where she was studying at the time. We enter a room with American flag and bunting, a shadow facing a huge American flag as The Last Post plays. She told us how she didn’t believe him when he told her about the noises, but that all changed. A speech begins to play, growing in volume; the American anthem joining the aural intrusion. Nightmarish creatures appear from the darkness, creeping around, tormenting us, disembodied by flashing lights that allowed them to move unnaturally. The shadow facing the flag leaves the room, and everything returns to normal. What is normal anyway?

We’re back in the morgue. We’re told to follow the voice as a hauntingly beautiful and overwhelming rendition of My Immortal wafts through the air. We follow the voice: in front of us, John sits, arms upturned to show his bloodied and slashed wrists: an unknown figure looms over him, singing his swansong, mourning. In death, his childhood and love are returned to his past: the only gift left to give is death, which was given to us.

Up the stairs and back to reality. Is this the end, or merely the beginning?

 

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Diary of a Deceased has truly left me stuck for words: I know for a fact that what I experienced could never be transposed into words: it was intense, haunting, and utterly beautiful!

What sets this apart from other haunts/attractions is that it relies heavily on the narrative and the actors ability to set the atmosphere in each scene, which they all did perfectly! From the whimsical and lighthearted atmosphere when visiting his childhood and playing games through to the melancholy of his relationship, through to the soul crushing end of John Doe, it was impossible to not get sucked in!

The one tiny piece of criticism I have is the haunt ending – I loved what it was trying to portray, and it portayed it well; however, some more effects such as a wind machine and strobes would further push the idea.

Despite the one little teeny-tiny improvement I could think of (and that’s all it is), this production definitely set the bar high for future immersive theatre, as people were moved to tears in the 30 minutes the show lasted. I cannot wait to see where this goes, if it goes anywhere: as a singular story it is perfect, but as I somberly climbed the stairs leading away from the morgue, I was definitely craving more! Well done to everyone involved!

14/10/2017 – Faceless Ventures: Diary of a Deceased

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